“Hatred does not dwell in me and will never define me; I document historical facts that are irreversible,” said Dr. Bizimana.
He made these remarks on Saturday in Paris during a socio-cultural meeting organized by the Ministry of National Unity and Civic Engagement, in collaboration with the Rwandan Embassy in France and Interpeace, which brought together the Rwandan diaspora in Europe.
The minister explained that his statement was in response to social media attacks by individuals dissatisfied with the current Rwandan revolution, spreading false information that could mislead young Rwandans living in Europe and elsewhere in the world.
The event gathered over 500 Rwandans, focusing on strengthening national unity and resilience among the diaspora, particularly the younger generation born or raised outside Rwanda.
Dr. Bizimana thanked participants for attending, describing the gathering as a moment that united Rwandans through their shared love for the homeland.
Through this dialogue, a strong message was delivered to younger generations: preserve the Kinyarwanda language, understand history, and strengthen ties with the homeland.
The meeting provided an intergenerational space where testimonies, exchanges, and knowledge transmission help build collective memory.
Minister Bizimana has urged Rwandans abroad to uphold truth The event gathered over 500 RwandansDr. Bizimana described the gathering as a moment that united Rwandans through their shared love for the homeland.
The request follows South Africa’s recent decision to withdraw its troops from eastern DRC, where they had been deployed under a Southern African regional mission against the AFC/M23 rebel alliance. Pretoria has also announced the withdrawal of its contingent serving under the United Nations peacekeeping mission, MONUSCO.
South Africa’s Presidency said the decision to pull its troops out of MONUSCO was driven by the “need to consolidate and realign the resources of the South African National Defence Force”, following 27 years of supporting UN peacekeeping efforts in the DRC.
DRC Minister of Defence Guy Kabombo Muadiamvita visited Pretoria on February 21, 2026, where he held talks with his South African counterpart, Angie Motshekga. The discussions focused on strengthening bilateral military cooperation.
In a statement, the DRC Ministry of Defence said the two officials met in a closed-door session to review various aspects of military and strategic cooperation between the two countries. Revisiting the 2004 military agreement between Kinshasa and Pretoria was among the key items on the agenda.
Both sides agreed to establish a joint team of experts to examine potential areas of renewed cooperation, drawing on the provisions of the 2004 accord. The outcome of these consultations could inform the negotiation and signing of a new agreement.
The original Pretoria Agreement was signed in June 2004, shortly after the DRC emerged from years of armed conflict. At the time, the accord was part of broader efforts to stabilise the country and rebuild its security institutions and economy, particularly in a nation endowed with vast mineral resources.
Then South African Defence Minister Mosiuoa Lekota pledged that South Africa would support the professionalisation of Congolese forces through training programmes, supply of military equipment and technical assistance.
However, unlike in 2004, when peace processes were underway to integrate former armed groups into a unified national army, the current security context remains marked by ongoing hostilities in parts of eastern DRC.
Kinshasa is now actively seeking multiple international partners to strengthen a military widely seen as under-resourced and structurally weak. Should the discussions advance, the United States is also expected to provide support, including training, equipment and intelligence cooperation.
Ministers Guy Kabombo Muadiamvita and Angie Motshekga held talks on strengthening military cooperation. South Africa’s recently announced decision to withdraw its troops from eastern DRC.
Mornings drift lazily here, as fishermen push wooden boats into the lake, their voices echoing across the water, while the air carries the fresh scent of water, pine, and earth.
Along the shores, small villages hum to life. Hidden trails, sandy beaches, and secret corners invite discovery. Whether you seek tranquil mornings, vibrant sunsets, flavorful local cuisine, or lakeside adventures, Lake Kivu, spanning 2,700 km², offers experiences that linger long after you leave, and always tempt you to return. With a maximum depth of 485 meters, it is Rwanda’s largest lake and the sixth largest in Africa.
In the north, the lakeside town of Rubavu, once known as Gisenyi, invites travelers to pause and savor life by the water. Its colonial-era mansions and vibrant bars line the shore, where sundowners can be enjoyed against the backdrop of fishermen paddling in harmony. A short drive from Volcanoes National Park, it is also the perfect retreat after gorilla trekking, offering both relaxation and lakeside charm.
Halfway along the lake, Karongi presents a serene beachside escape. Pine and eucalyptus-covered hills cascade down to the sparkling water, where dawn and dusk bring the hauntingly beautiful songs of local fishermen. Here, travelers can taste traditional Rwandan dishes such as grilled tilapia or fresh tropical fruits, and experience cultural performances that celebrate the region’s rich heritage.
For those drawn to adventure, Lake Kivu is a playground. Kayak across its placid waters, explore enchanting islands like Napoleon and Amahoro, or take to the legendary Congo Nile Trail—a 227-kilometre journey weaving along terraced hills, eucalyptus-lined paths, and panoramic viewpoints. Along the lakeshore, hospitality ranges from cozy guesthouses to luxury lodges among other facilities, all accompanied by the warmth and friendliness of Rwandan hosts.
Whether it’s the soft morning songs, the taste of local cuisine, or the thrill of exploring hidden corners of the lake, Lake Kivu unfolds like a secret gem waiting to be discovered.
Along the lakeshore, hospitality ranges from cozy guesthouses to luxury lodges among other facilities. With a maximum depth of 485 meters, Lake Kivuis Rwanda’s largest lake and the sixth largest in Africa..Lake Kivu, spanning 2,700 km², offers experiences that linger long after you leave.Mornings drift lazily at Lake Kivu as fishermen push wooden boats into the lake
The 21-year-old covered the 134.6 km from Nyamata in three hours, 10 minutes and 10.30 seconds (3:10:10.30), edging Eritrea’s Henok Mulubrhan by just two milliseconds in a thrilling finish.
The win marks back-to-back stage victories for NSN Development Team, following Itamar Einhorn’s triumph in Stage 1 from Rukomo to Rwamagana on Sunday.
The 21-year-old covered the 134.6 km from Nyamata in three hours, 10 minutes and 10.30 seconds.
Marti Pau also took the yellow jersey, gaining a 10-second advantage in a sprint at Imberabyombi, which propelled him ahead of his teammate Einhorn, who did not finish among the top 40 riders on Monday.
The stage saw the peloton tightly packed until the final kilometres, with Eritrean riders initially leading the charge into Huye. Riders positioned themselves for the decisive sprint in the last 2 km, with NSN and Soudal Quick-Step shaping the race for the finale.
Marti Pau’s win marks back-to-back stage victories for NSN Development Team, following Itamar Einhorn’s triumph in Stage 1 from Rukomo to Rwamagana on Sunday.
Top finishers in Stage 2 included Mauro Cuylits (Lotto-Groupe Wanty) in third, Hodei Muñoz Gabiña (Soudal Quick-Step Devo Team) in fourth, and Lucas Van Gils (Lotto-Groupe Wanty) in fifth.
The 2026 Tour du Rwanda will resume on Tuesday, February 24, with Stage 3 starting in Huye at 11:00 AM and finishing in Rusizi. The stage covers a distance of 145.3 kilometres.
Spanish rider Pau Soriano Martí powers past Eritrea’s Henok Mulubrhan to claim Stage 2 victory in Huye on Monday.The stage saw the peloton tightly packed until the final kilometresResidents turn up in large numbers along the road to witness the race.
As Rwanda’s creative economy continues to grow, the platform addresses long-standing barriers including low visibility, fragmented networks, unpaid opportunities, and lack of trusted professional infrastructure.
Developed in partnership with the Ministry of Youth and Arts, L’Espace, KinaRwanda, and the Swiss Agency for Development and Cooperation (SDC), MURIKA represents an important step in building long-term digital infrastructure for Rwanda’s creative economy.
Supporting professional growth and opportunities
Built as a structured ecosystem rather than a social network, MURIKA brings together verified creative profiles, professional portfolios, transparent opportunity listings, collaboration spaces, and practical industry resources.
The platform enables creatives to showcase their work professionally, connect with clients and collaborators, and access knowledge on pricing, intellectual property, contracts, and career development.
By creating trusted professional infrastructure, MURIKA helps move creative work from informal activity to sustainable, income-generating careers.
Malik Shaffy, Managing Director of KinaRwanda, welcomed the platform as an important development for the industry.
“For a long time, talent has been everywhere, but opportunities and visibility haven’t been organized. MURIKA changes that. It gives creatives a place to be seen, trusted, and get paid. It gives clients a direct path to verified talent, and this is how we grow a creative economy that pays,” he said.
Creative professionals also say the platform will help strengthen the industry.
David Sindambiwe, a Rwandan visual creative said, “MURIKA creates a professional space where my fellow creatives and I can showcase our work and connect with real opportunities. The resources will also help us build structure, trust, and visibility, which are essential for us to grow sustainable careers in our industry.”
Now live
The platform is currently in its beta phase, allowing creatives, clients, and institutions to join, explore features, and provide feedback to help refine the platform.
MURIKA is now open to creatives, clients, institutions, and partners across Rwanda, via http://www.murika.rw/
The platform addresses long-standing barriers including low visibility. The platform was developed in partnership with the Ministry of Youth and Arts, L’Espace, KinaRwanda, and the Swiss Agency for Development and Cooperation (SDC). MURIKA brings together verified creative profiles, professional portfolios, transparent opportunity listings, collaboration spaces, and practical industry resources.The platform enables creatives to showcase their work professionally.
The decision was announced on Monday, February 23, 2026, alongside updates for two other fixtures. The Rayon Sports–Al Hilal SC match had previously been postponed because Al Hilal SC was competing in the final stages of Group C in the CAF Champions League.
The game was initially rescheduled for Wednesday, February 25, 2026, at Stade Amahoro at 6:00 PM. However, it was later shifted to Kigali Pelé Stadium and brought forward to 3:00 PM due to recurring lighting issues, which the league cited as stemming from ongoing electricity supply problems.
In addition, the Kiyovu Sports vs. Marine FC match, originally set for Tuesday, February 24, 2026, has been postponed because Kigali Pelé Stadium will be closed. A new date for the match will be communicated in due course.
Another fixture affected is Al Merrikh SC vs. AS Muhanga, scheduled for Wednesday, February 25, 2026, at 3:00 PM, with the rescheduled date yet to be announced.
Currently, the league table is led by Al Hilal SC with 41 points, narrowly ahead of Al Merrikh SC, which trails by just one point.
Rayon Sports and Al Hilal SC will play at Kigali Pelé Stadium.
On a quiet afternoon in Kigali, the sound of traffic softens behind high compound walls. Inside, canvases lean against brick exteriors, paint dries in the sun, and artists move between studios with brushes still in hand. In a restored villa across town, visitors pause in front of layered abstract works, debating texture and meaning. Not far away, curators arrange lighting for an upcoming contemporary exhibition, fine-tuning how each piece will be encountered.
These are not isolated pockets of creativity. They are signs of a city steadily constructing its cultural identity.
Over the past decade, and more visibly in recent years, Kigali has developed a confident and increasingly structured contemporary art ecosystem. What began as collective studios driven by experimentation has expanded into a network that includes museums, research-based institutes, socially driven galleries, photography centres and private collector spaces.
Here are 10 art spaces at the heart of that transformation.
1. Inema Art Centre
More than a gallery, Inema, situated in the Kacyiru neighbourhood, functions as a living studio complex. Founded by brothers Emmanuel Nkuranga and Innocent Nkurunziza, the centre helped redefine what professional art practice could look like in Kigali.
Brothers Emmanuel Nkuranga and Innocent Nkurunziza founded Inema in 2012 in an effort to share their creative passion with Rwandans and visitors alike.
Visitors rarely encounter a silent, static space. Instead, they find artists actively working on large-scale canvases characterised by bold colour palettes, textured layers and recurring motifs that draw from Rwandan daily life. The centre regularly hosts themed exhibitions, dance performances, poetry evenings and workshops for young creatives.
Artworks on display at Inema Art Center.
Inema’s impact lies not only in the artwork it produces, but in how it normalised the idea that contemporary art could be visible, collaborative and commercially viable within Rwanda.
2. Ivuka Art
As Rwanda’s first contemporary art collective, Ivuka Arts, situated in Kacyiru, represents the roots of Kigali’s modern art movement. Its open compound model, where artists share space, critique each other’s work and collaborate across mediums, created an early support system in an otherwise limited infrastructure.
An artwork at Ivuka.
The space is known for its colourful murals and sculpture installations that spill into outdoor areas, blurring the line between exhibition and environment. Ivuka fostered experimentation at a time when contemporary art was still gaining recognition locally, helping shape a generation of artists who would later exhibit regionally and internationally.
3. Rwanda Art Museum
Set within the former Presidential Palace in Kanombe, the Rwanda Art Museum offers one of the most layered art experiences in the country. The building itself carries political history, and the preserved wreckage of the presidential plane in the garden serves as a reminder of the nation’s past.
The museum carries deep political history.
Inside, the museum houses more than 120 works by over 50 artists, providing a structured overview of Rwanda’s visual art evolution. The collection spans painting and sculpture, capturing shifts in style, subject matter and technique over time. Unlike studio spaces, the museum offers institutional framing, placing contemporary Rwandan art within a curated historical narrative.
4. Gihanga Institute of Contemporary Art(GICA)
Opened in December 2025, the Gihanga Institute of Contemporary Art (GICA) represents a decisive step toward institutional maturity in Rwanda.
The Gihanga Institute of Contemporary Art (GICA), Rwanda’s first non-profit institution dedicated to contemporary art, officially opened in Kigali on December 20, 2025.
Situated in Kimihurura, GICA is the country’s first independent, non-profit center dedicated to high-end contemporary art and Pan-African exchange.
Co-founded by international curator Kami Gahiga and artist Kaneza Schaal, the 777-square-meter facility, designed by architect Amin Gafaranga, moves beyond exhibition alone. It functions as a complete ecosystem, integrating curated shows with a reference library curated by Christian Nyampeta, a screening room, and artist residency studios.
Its inaugural exhibition, Inuma: A Bird Shall Carry the Voice, featured world-class talent and underscored a multidisciplinary mission that positions Kigali as a rigorous hub for global art dialogue and structured cultural infrastructure.
5. Niyo Art Gallery
At Niyo Art Gallery in Kacyiru, artistic production is directly tied to social impact. Founded by Pacifique Niyonsenga, the gallery operates as a social enterprise supporting vulnerable children through education and creative training funded by art sales.
The gallery doubles as a learning space, where young artists receive mentorship and exposure.
The artwork displayed often reflects scenes of rural and urban Rwandan life, rendered in vibrant tones and layered textures. The gallery doubles as a learning space, where young artists receive mentorship and exposure. Here, art functions as both livelihood and opportunity, reinforcing its social dimension within Kigali’s ecosystem.
6. Tongo Art Gallery
Tongo Art Gallery, located in Kacyiru, offers a quieter but deeply engaging experience. Known for abstract and mixed-media works, it provides space for experimentation in form and technique.
Exhibitions often rotate, allowing emerging and mid-career artists to test new ideas before an intimate audience. Live painting sessions and pop-up events keep the space fluid. Tongo’s strength lies in its accessibility; conversations between artists and visitors unfold naturally, demystifying the creative process.
7. Indiba Art Space
Indiba Art Space, nestled in the vibrant neighbourhood of Kimihurura, leans toward carefully curated exhibitions that explore identity, heritage and contemporary urban life. The gallery’s programming often includes workshops and discussions, reinforcing its role as more than a display venue.
Artists making murals.
Works presented at Indiba frequently engage with memory and transformation, reflecting Rwanda’s rapid social and economic evolution. The gallery contributes to a growing culture of critical engagement around art in Kigali.
Group of students visiting the gallery for ‘Mural Day’.
8. Choose Kigali
Choose Kigali introduces a different model, merging contemporary art with high-end dining. Founded by Emmanuel Nkuranga, the space located in the Kiyovu neighbourhood caters to collectors and patrons seeking a more exclusive setting.
Choose Kigali merges contemporary art with high-end dining.
Artworks are displayed within a refined interior, encouraging slower viewing and private acquisition. This hybrid concept reflects the expanding commercial dimension of Kigali’s art scene and the rise of a discerning local and international clientele.
9. Kigali Center for Photography
While painting dominates much of the city’s gallery landscape, the Kigali Center for Photography (KCP), situated in the creative heart of Kimihurura, anchors a different visual medium.
The centre aims to explore and promote Rwandan and foreign photography.
As the first dedicated space of its kind in Rwanda, the center prioritizes visual storytelling as a tool for social change and historical preservation. Beyond its gallery walls, KCP serves as a vibrant ‘learning lab’ where founder Jacques Nkinzingabo and local mentors provide free workshops, equipment access, and residencies for emerging talent.
By focusing on documentary and artistic photography, the center actively works to reclaim the Rwandan narrative, shifting the lens away from past trauma toward a multifaceted view of contemporary identity, resilience, and daily life.
10. Inkingi Arts Space
Inkingi, which translates to “pillar” or “support” in Kinyarwanda, lives up to its name by serving as a foundational space for both established and emerging artists.
Nestled within a lush, green compound, Inkingi is incredibly photogenic and welcoming.
Founded in 2023 by Olivier Kwitonda and located in Kacyiru, the gallery exudes a distinct atmosphere that feels more like an intimate garden sanctuary than a bustling, high‑traffic space.
Nestled within a lush, green compound, Inkingi is incredibly photogenic and welcoming. Like Inema, it functions as an active studio where visitors can often meet the artists at work, and many guests describe the hospitality here as among the warmest in Kigali, making every visit feel personal and engaging.
While bold acrylic paintings, a hallmark of Rwandan contemporary art, are on display, Inkingi distinguishes itself through diversity. Visitors encounter a mix of paintings, sculptures, intricate beadwork, and textiles, reflecting a wide range of creative practices.
The gallery also offers a strong connection to Rwanda’s cultural heritage. Every third Saturday of the month, storytelling sessions are paired with traditional food, allowing guests to engage with the country’s oral traditions while surrounded by modern visual interpretations of those same stories. In this way, Inkingi bridges the gap between heritage and contemporary expression, creating a space that is both reflective and forward-looking.
Hosted at the Paris Expo–Porte de Versailles, the exhibition runs from late February to early March each year, showcasing agricultural and livestock products, related value chains, farming technologies, partnerships, and innovation.
The 2026 edition opened on Saturday, February 21, and was officially inaugurated by French President Emmanuel Macron.
Rwanda is exhibiting at Stand 7, highlighting its progress in developing export-oriented agricultural and livestock products. The country is represented by the National Agricultural Export Development Board (NAEB) and the Embassy of Rwanda in France.
The event provides a platform for traders, farmers, entrepreneurs, and investors to exchange expertise and build partnerships to advance the agriculture and livestock sectors.
Fifteen Rwandan companies are participating, showcasing products such as coffee, tea, honey, and other value-added goods. The participation reflects Rwanda’s continued investment in strengthening agricultural value chains and expanding access to international markets.
Agricultural and livestock exports remain a key driver of Rwanda’s economy. In December 2025, the Ministry of Agriculture and Animal Resources announced that exports from the sector had generated more than $893.1 million in revenue.
Under the Second National Strategy for Transformation (NST2), Rwanda aims to increase annual foreign exchange earnings from agricultural and livestock exports to $1.5 billion by 2029.
Rwanda is taking part in international agriculture and livestock exhibition for the fith time. Rwanda is showcasing products including coffee, tea, honey and others.Rwanda is exhibiting at Stand 7, where it is highlighting the country’s continued progress in developing export-oriented agricultural produce. The 2026 edition of the trade fair opened on Saturday, February 21. Rwanda is represented by 15 companies.
“We are willing to give exclusive access to our minerals to the United States. Also, we are open to offer military bases,” Khadar Hussein Abdi, minister of the presidency, told AFP.
“We believe we will agree on something with the United States.”
He also did not rule out the possibility of allowing Israel a military presence.
The northern territory has run its own affairs since declaring autonomy from Somalia in 1991, with its own passports, currency, army, and police, though Mogadishu still considers it part of Somalia. Israel became the only country to recognize Somaliland’s independence in December.
Earlier this month, President Abdirahman Mohamed Abdullahi said Somaliland expected to reach a trade agreement with Israel, which could include access to valuable mineral deposits.
Officials say Somaliland is rich in lithium, coltan, and other materials critical for batteries and electric vehicles, though independent studies are limited. Abdullahi also indicated Somaliland would seek access to Israeli technology in return.
The region’s strategic location across the Gulf of Aden from Yemen adds to its geopolitical significance. Recognition by Israel has drawn threats from Houthi rebels and the al-Qaeda-linked al-Shabaab group, which has fought against Somalia’s central government for two decades. Somalia’s President Hassan Sheikh Mohamud condemned the move as a violation of Somali sovereignty, a position supported by most African and Arab states.
Washington has not yet made any formal change in policy toward Somaliland, though President Donald Trump hinted in August that the issue could be addressed. Somaliland officials say their overtures to the US are part of a broader push for international recognition and strategic partnerships.
Khadar Hussein Abdi, minister of the presidency, said that Somaliland is willing to give the United States exclusive access to its minerals and is also open to offering military bases.
Speaking before Members of Parliament, Dr. Arakwiye acknowledged rising public complaints over delays in accessing land-related services, attributing the backlog to a sharp increase in applications and the limited capacity of the existing digital infrastructure.
When LAIS was first introduced, it processed about 15,000 files annually. Today, the system handles more than 800,000 files each year. Official figures indicate that 376,686 land files were recorded in 2023, rising to over 750,000 in 2024 and surpassing 864,000 in 2025, more than doubling within a short period.
The minister explained that expanded access to land services has significantly contributed to the surge. Previously offered mainly at the provincial level, services are now delivered at sector offices, through land committees at cell level, and via the government’s online services platform, Irembo. Twelve of the most requested land services have been digitised, while private notaries and survey assistants have been authorised to facilitate certain processes.
“Previously, services were provided at provincial level, but now they have been decentralised to sector level, with land committees established at cell level,” she said.
LAIS has also been integrated with other government systems, including tax platforms and the national auction system, enabling institutions to directly obtain land documentation where required, without citizens having to make separate applications.
Staffing within LAIS has grown from 80 employees at its launch to 150 currently, with more than 1,000 additional users extracting information from the system. However, government projections show that the platform will need to accommodate up to 3,000 personnel to manage current and future demand effectively.
Authorities say planned upgrades to system capacity, workforce expansion, and deeper institutional integration are expected to ease bottlenecks and improve the efficiency of land service delivery nationwide.
Authorities say the Land Administration Information System (LAIS) will need the capacity to support at least 3,000 staff who manage digital maps and land data to meet growing demand for land services.
