Headlined by international touring DJ Alisha, the event marks the first stop of a continental journey for the Rwandan-owned and trademarked brand. After Kigali, the tour is expected to travel to several African cities, including Nairobi, Kampala, Lusaka, and Zanzibar.
Organized by SEEV AFRICA in partnership with Intore Entertainment and Kozo Kigali, the Kigali edition coincides with Women’s Month and features an all-female DJ lineup. Alongside DJ Alisha, the event will showcase DJ Senshi, DJ Muun, and host Zuba Mutesi.
Alongside DJ Alisha, the event will showcase DJ Senshi, DJ Muun, and host Zuba Mutesi.
The night is designed as a tribute to the women whose voices and artistry helped define the R&B genre. Guests can expect a nostalgic mix of 1990s and early 2000s R&B classics, complemented by Kozo’s signature ambience, food offerings, and a premium social experience.
Since its launch in 2024, Spin The Block has grown beyond a pop-up music event into a platform aimed at supporting the cultural and creative industries. The brand uses R&B music as a cultural connector to bring together people, networks, and opportunities.
Spin The Block will launch its highly anticipated Africa Tour with the R&B Divas Edition at Kozo Kigali.
In 2024 alone, the initiative contributed to the creation of more than 200 short-term jobs for youth, refugees, and persons with disabilities. It has also supported women-led small businesses and cultural icons through talent accelerators and capacity-building initiatives.
According to the experience’s lead curator, Paul Atwine, the Kigali edition represents a defining moment for the tour.
“The Kigali edition will serve as the sound-breaking moment for the Africa Tour, symbolizing Rwanda’s growing influence in the regional creative economy,” he said.
By taking the experience to other African cities, the organizers hope to export Rwandan talent and culture while opening new pathways for collaboration, revenue generation, and market access across the continent.
Doors for the event open at 5 p.m., with organizers encouraging early reservations as tickets are selling quickly. The evening promises a celebration of Women’s Month and the queens who shaped the golden era of old-school R&B.
The event is curated by SEEV AFRICA and Intore Entertainment in partnership with Kozo Kigali, with support from Martell and Big Sound AV Solutions.
Doors for the event open at 5 p.m., with organizers encouraging early reservations as tickets are selling quickly.
The tour will include performances in multiple countries, starting with Uganda on May 1, 2026, followed by Kenya on May 8, 2026, and concluding in Kigali, Rwanda, on May 9, 2026.
During these concerts, Vybz Kartel will perform alongside artists such as Element EleéeH, Bien, and Joshua Baraka. Additionally, each country on the tour will feature local artists who will join the performances to enhance the show.
A source close to the event shared, “These four artists will be the main performers, but in each country, local artists will also be added to the lineup to perform with them. In Kenya, they have their own local talent, Uganda has theirs, and in Kigali, we’ll showcase our local artists as well.”
Vybz Kartel, whose real name is Adidja Azim Palmer, is a renowned Jamaican artist famous for his contributions to the “Dancehall” genre. He began his rise to fame in 1993.
In 2014, Vybz Kartel was sentenced to life imprisonment after being convicted of the murder of Clive “Lizard” Williams. Despite being incarcerated, he remained active in music, releasing over 50 songs in 2016 alone, showing his unwavering commitment to his craft.
In 2024, after a lengthy legal battle, Vybz Kartel was acquitted and released from prison, having spent nearly ten years behind bars.
The artist is best known for hit songs like “Romping Shop” featuring Spice, “Clarks” featuring Popcaan, “Loodi” featuring Shensea, and “Wine to the Top” featuring WizKid. With his return to the stage, Vybz Kartel is set to continue making waves in the music industry.
Element is set to perform with Vybz Kartel on EAC tour in May.Joshua Baraka from Uganda will also join the tour.Bien from Kenya is among the artists on the lineup.Vybz Kartel is set to embark on an East Africa concert tour.
Known for his precision and “music geek” tendencies, E.T. brought a level of intensity to the conversation that borders on scientific, diving deep into the records that shaped his DNA and the specific behaviours that can instantly get someone kicked out of his recording sessions. It was a rare look at the man behind the music, revealing an artist who is as strict about his studio etiquette as he is passionate about a good plate of food in Kigali.
Music is perhaps the centre of E.T.’s universe, and he describes albums as his “everything.”
Music is clearly the centre of E.T.’s universe, and he describes albums as his “everything.” When asked to pick his all-time greats, he pointed to Kendrick Lamar’s Good Kid, M.A.A.D City as the definitive classic that drew him into hip-hop back in 2012. His taste is a sophisticated blend of influences, ranging from the technical brilliance of Isaiah Rashad’s The Sun’s Tirade to the timeless soul of Stevie Wonder’s Songs in the Key of Life.
He even revealed his technical side when breaking down his love for SZA, noting that her unique 5×5 verse structures are what set her apart from standard writers. Rounding out his list with Kanye West’s Graduation and a nod to his peer K-Shot, E.T. proved that his ear is always tuned toward longevity and craft.
However, that love for the craft comes with a very high standard for anyone entering his workspace. E.T. was remarkably candid about being “high-maintenance” in the studio, emphasising that when he is “cooking up,” it is strictly a “men at work” environment. His biggest vibe-killer is the presence of people in the studio for no reason, especially those who talk or distract the room while he is trying to capture a moment on the mic.
For E.T. Ndahigwa, the studio is a sacred space for focus.
He told fellow artists to practice before they arrive, noting that being slow or unprepared in the booth is an immediate way to kill the energy. For E.T., the studio is a sacred space for focus, not a place for gossip or sluggishness.
When he isn’t locked in the booth, E.T. is exploring the Kigali food scene with a discerning palate. Although he jokes that he shouldn’t give out free shoutouts without a sponsorship, he can’t help but praise the “goated” spots that keep him fed. He highlighted a Catholic brother–owned eatery in Kicukiro, known for its brochette, and Meze Fresh restaurant. For a more diverse experience, he directed listeners to Mumarangi in Nyamirambo and Gisementi Place, calling it the go-to spot for authentic Arabic and Nigerian cuisine. To him, the neighbourhood is about far more than just the parties; it’s a culinary destination that locals shouldn’t overlook.
Ending the segment on a personal note, E.T. shared the few things he truly cannot live without. He admitted to a self-confessed “bad” screen time habit on TikTok, but noted that he feels physically naked without his watch or his headphones.
Whether it is staying hydrated with water or geeking out over a new track, E.T. Ndahigwa remains a man of specific tastes and uncompromising standards. It is this mix of local pride and professional intensity that continues to define his rise in the Rwandan music scene.
Watch the full “Top Five” segment with E.T. Ndahigwa below:
Unlike a market increasingly flooded with counterfeit and substandard audio products, Sound Creations has built its reputation on quality, authenticity, transparency, and long-term value rather than quick sales. The company is an official distributor of internationally respected brands such as Yamaha, dB Technologies, Shure, Behringer, Bose Professional and Rockfon.
Sound Creations stands out for quality, authenticity, and transparency in a market full of counterfeits.
Yamaha, the renowned Japanese manufacturer, is globally respected for its musical instruments, professional mixers, and studio equipment. dB Technologies, an Italian brand, is known for its powerful, pristine speakers and line-array systems used in high-end clubs and performance venues worldwide. Shure, an American audio giant, is synonymous with industry-standard microphones and conferencing systems trusted by professionals across the globe.
Managing Director Stefic Shen told IGIHE during a recent visit to the company’s store in Muhima, Kigali, that selling these genuine products is not just business; it is a commitment to raising the standard of sound in Rwanda.
“We care about reputation more than money. If it’s original, it’s genuine. We don’t cut corners,” the MD affirms. “People should enjoy music without leaving with ear pain. Good sound is not just loud; it’s clear, controlled, and comfortable.”
For Rwanda’s growing music industry, genuine equipment is essential for artists to take their craft to a professional level.
For Rwanda’s growing music industry, genuine equipment is helping artists raise their craft to a professional level. Yamaha keyboards and pianos supplied by Sound Creations are used in churches, music studios, and by independent artists, composers, and gospel musicians across the country. Reliable instruments and mixers allow producers to record with clarity and performers to deliver consistent live sound, helping local talent compete at regional and international levels.
In Kigali’s hospitality sector, the impact is equally visible. Several popular venues, including Serena Hotel, Atelier Du Vin and Boho, rely on dB Technologies speaker systems supplied and installed by Sound Creations. These systems are engineered not only for power but for balance, ensuring that music energises a space without overwhelming conversation. For business owners, quality sound enhances customer experience; for guests, it transforms an ordinary evening into a memorable one.
Premier hospitality venues like Serena Hotel, Atelier Du Vin, and Boho use dB Technologies speakers from Sound Creations.
Beyond entertainment venues, the company has also installed professional conferencing systems featuring Shure microphones and integrated audio solutions for institutions such as the Ministry of Finance and the Embassy of Sweden in Kigali. Built-in microphones, wireless systems, and carefully calibrated speakers ensure clarity in meetings where every word matters.
While selling systems remains the company’s primary operation, Sound Creations also provides acoustic consultation and installation for projects where sound control is critical. One of its most notable undertakings is the Kivu Intare Arena in Rubavu, an auditorium where acoustics are non-negotiable. In such spaces, proper design ensures controlled reverberation, balanced distribution, and speech intelligibility, demonstrating how engineering complements high-quality equipment.
“Sound and acoustics are a marriage,” Shen explains. “You can install the best speakers in the world, but without proper acoustic treatment, you will still have echo, distortion, and sound leakage that disturbs neighbours.”
Sound Creations installed acoustic solutions at Kivu Intare Arena in Rubavu.
Despite recent slowdowns in church-related supplies, the company sees an opportunity for places of worship to upgrade their installations through acoustic improvements in order to meet noise standards. The team also views the changing landscape as a chance to further educate clients about the value of investing in original systems.
From its early days in 2018 with just three team members to its current six-person operation, Sound Creations has relied heavily on demonstrations and direct engagement. Customers are encouraged to test equipment, compare genuine products with counterfeits, and experience the difference for themselves.
“Once clients hear the clarity and feel the balance, they understand why quality matters,” adds Olga Divine Agahozo, Sales and Digital Marketing Officer. “We want a community that understands and enjoys quality sound.”
Yamaha acoustic drum kit and other music equipment on display at the Sound Creations store.
Looking ahead, the company hopes to contribute even more to Rwanda’s emerging music culture, particularly in education. Plans are underway to organise workshops and talent shows during school holidays, giving children hands-on exposure to instruments such as piano, keyboard, and guitar. The aim is to nurture creativity and encourage young people to see music as both an art form and a valuable skill.
“We want children to enjoy music, learn instruments like piano, guitar, and keyboard, and see music as something fun, educational, and even intellectual,” Shen says.
“This year, we plan to start workshops and talent shows during holidays so kids can experience music hands-on. It’s about creating a community that values and enjoys music, not just selling equipment.”
Sound Creations store, Muhima, Nyarugenge District, Kigali.Sound Creations Ltd Managing Director Stefic Shen emphasises that the company remains steadfast in its commitment to delivering unmatched quality.The company sells quality pianos from Yamaha, the renowned Japanese manufacturer.In addition to drum kits, the company also sells guitars.The company sells mixers from world-renowned brands.Sound Creations also provides acoustic treatment panels.Sound Creations Managing Director Stefic Shen poses for a photo with two of her staff members.
Patrick Salvado, a leading figure in Uganda and across Africa’s comedy scene, will headline the ‘Thank God It’s Funny’ show at Kigali Universe on March 6, 2026.
The show will feature an exciting lineup of local talent, including Rwandan comedians Rusine, Michael Sengazi, Hervé Kimenyi, Muhindee, and several others.
Patrick Idringi Viera, known professionally as Patrick Salvado, is a 41-year-old comedian and actor with a career spanning over 17 years.
He began performing in 2009 while working at NTV Uganda as a technical assistant during his university studies in Telecommunications Engineering. After graduating in 2008, he joined MTN Uganda, where he started developing his comedy career. In 2011, he moved to Capital FM, gaining wider recognition, including performing at events like Miss Uganda.
Since 2011, Salvado has performed in numerous shows both in Uganda and internationally, including Rwanda, where he has appeared in various comedy events.
The origin of “Salvado”
His stage name originates from the 2000s soap opera Second Chance (El Cuerpo del Deseo). Salvado has said that a woman once mistook him for the show’s handsome lead, Salvador Cerinza, a joke that eventually inspired his professional name.
Salvado’s work has gained international recognition. He was a semi-finalist in the 2016 “World’s Funniest Person” competition, organised by the Laugh Factory in the United States. He is also the founder and host of Africa Laughs, a comedy franchise that brings together performers from across the continent, including Nigeria, South Africa, and Kenya.
In addition to stand-up comedy, Salvado has appeared in television series such as Beneath the Lies and films including Bed of Thorns.
Away from the spotlight, Salvado shares his life with his wife, Daphine Frankstock Idringi, and their three children.
Patrick Salvado will headline the ‘Thank God It’s Funny’ show at Kigali Universe on March 6, 2026.
The Tour du Rwanda 2026 is currently rolling across the “Land of a Thousand Hills”, and while on paper it’s a UCI 2.1 cycling race, to anyone standing on the roadside, it feels more like a national carnival.
Now in its 18th edition as an international event, the Tour has grown from a local race into one of Africa’s premier cycling competitions. Following the massive success of the historic 2025 World Championships held right here in Rwanda, this year’s Tour feels like a victory lap for an entire continent.
Here is why this race is so much more than just a bike ride.
1. The “Mur de Kigali” is our colosseum
In European cycling, fans talk about the cobbled climbs of Flanders. In Rwanda, the Mur de Kigali demands the same awe. This steep, cobblestone climb winds through the lively streets of Nyamirambo, where the energy of the crowd meets the grit of the riders.
Tour du Rwanda 2017: Joseph Areruya and Eritrean Eyob Metkel climb the Mur de Kigali, the legendary cobblestone climb, one of the toughest challenges awaiting global cycling stars.
Streets packed with cheering spectators transform each pedal stroke into a test of endurance, courage, and sheer will. When a Rwandan rider leads up “The Wall,” the roar of the crowd echoes across the surrounding hills.
Thousands of fans line the streets, standing along sidewalks, slopes, and open areas near the climb. You’ll see grandmothers cheering next to teenagers, all drawn together by the sight of elite athletes powering up a 12% incline.
When the peloton powers up the Mur de Kigali, the cheers ripple across the surrounding hills, filling the neighborhood with energy and excitement. Fans clap, wave, and call out encouragement as riders tackle the steep climb, making the moment feel like a shared celebration of effort and endurance.
It has become a norm for locals to turn up along the road and on top of their buildings to witness the race.
2. A “stadium” without walls
Most sports require a ticket and a seat. The Tour du Rwanda requires a front porch and a pair of lungs.
Because the 2026 route stretches across nearly 1,000 kilometres of the country, from the rolling highlands of northern Rwanda to the palm-fringed shores of Lake Kivu, it brings the spectacle to the people. It’s estimated that over 2 million people line the roads.
Crowds gather to cheer on the elite riders.
For a few minutes, every village becomes the centre of the world. Rural farmers and urban residents alike watch the same drama unfold as the peloton passes by, united in the excitement of the race.
3. Cycling is part of life in Rwanda
To understand why Rwandans love this race, you have to look at the “abanyonzi” taxi-velo riders. In Rwanda, the bicycle isn’t just for fitness; it’s a lifeline.
Bicycles are common in rural Rwandan villages and are often used to transport farm produce like green bananas.
Every day, thousands of Rwandans use bikes to transport massive loads of ibitoke (green bananas), heavy milk jugs, or charcoal across impossible inclines. There is a deep, cultural respect for anyone who can conquer a hill on two wheels.
When locals watch a pro athlete fly up a mountain that they usually struggle to climb with a load of crops, there is an instant, visceral connection. It’s a celebration of the hustle that defines Rwandan rural life.
4. A high-def tour of the “new Rwanda”
The Tour is arguably Rwanda’s most effective “business card” to the world. As the cameras follow the peloton, the world sees not just sweat; but also the results of a nation’s transformation.
Tour du Rwanda showcases Rwanda’s incredible transformation to the world.
The 2026 footage showcases the pristine, plastic-free streets of Kigali, the lush green tea plantations of the West, and the world-class infrastructure that makes this the safest and cleanest cycling environment in Africa. It’s a source of immense national pride, a way for Rwandans to say, “This is who we are now.”
6. The “Africa’s turn” momentum
For decades, professional cycling was a closed-off European club. The Tour du Rwanda changed that narrative. As the premier stage for African talent, this race is where the next global stars, like Samuel Niyonkuru or Henok Mulubrhan, prove they belong on the world stage.
In the wake of the 2025 UCI World Championships, the 2026 Tour feels like the start of a new era. It’s no longer about hosting a race; it’s about owning the sport. For every kid on the side of the road in Rubavu or Gicumbi watching the peloton fly by, that bike represents a path to the world stage.
In Rwanda, the industry is also evolving. Beyond mass-market beverages, a growing niche of premium and ultra-luxury products is carving out space in the country’s hospitality and fine-dining sector, reflecting shifting consumption patterns and rising purchasing power among certain segments of the population.
A recent visit to Atelier du Vin, a high-end restaurant operating under Akagera Trading, a subsidiary of Akagera Motors, offered insight into the scale of this emerging luxury market.
A bottle worth Rwf 5.5 million
Among the most striking offerings is Louis XIII de Rémy Martin, a luxury cognac first created in 1874 and crafted from a blend of approximately 1,200 eaux-de-vie aged between 40 and 100 years. At the Kigali establishment, a single bottle retails for Rwf 5.5 million, making it one of the most expensive alcoholic beverages publicly available in the country.
Louis XIII de Rémy Martin retails for Rwf 5.5 million.
In addition to Louis XIII, the restaurant’s premium catalogue features several other high-end labels. These include Don Julio 1942, retailing at Rwf 1.2 million; Armand de Brignac, popularly known as Ace of Spades, priced at Rwf 650,000; Hennessy X.O at Rwf 600,000; and Dom Pérignon Vintage 2013, which sells for Rwf 540,000 per bottle.
Other high-end selections such as Ruinart 1729 and Glenmorangie 18 retail at Rwf 315,000 per bottle.
The 1942 edition of Don Julio is priced at Rwf 1.2 million.This Armand de Brignac, famously called Ace of Spades, sells for Rwf 650,000.
A niche but active market
According to Richard Ahadi, Head of Sales and Marketing at Akagera Trading, demand for these products remains consistent throughout the year.
“These premium beverages generate more than Rwf 100 million annually,” Ahadi said. “Between 50% and 60% of the purchases are made by Rwandans. On average, we sell between 120 and 180 bottles per year.”
Richard (left) disagrees with those who claim that Rwandans live modest lives.
While the company distributes to regional markets including the Democratic Republic of the Congo, Burundi and Uganda, Ahadi noted that approximately 80% of its business is conducted within Rwanda.
“Our largest market is domestic,” he said, pointing to steady local demand for luxury imports.
The company also imports limited-edition releases produced in small quantities worldwide. Certain editions of Dom Pérignon P2 (2002), for example, are limited to fewer than 500 bottles annually worldwide, with only a handful allocated to Rwanda. Similarly, limited releases of Hennessy Paradis are capped globally at around 150 bottles per edition, with fewer than two dozen reaching the Rwandan market.
“These limited editions usually launch in April and typically retail between Rwf 10 million and Rwf 12 million,” Ahadi explained, noting that buyers include high-net-worth individuals, private companies, and international visitors.
Taxation and pricing dynamics
Industry observers attribute the high retail prices in Rwanda largely to excise duties and import-related costs.
In 2023, the Government of Rwanda revised aspects of its tax framework as part of broader domestic revenue mobilization reforms. The Rwanda Revenue Authority (RRA) states that excise duty rates vary depending on alcohol content, product category and sourcing of raw materials.
Beer, wine, liqueur, whisky and other spirits are generally taxed at 40%. Beverages with higher alcohol content may attract rates between 60% and 65%, depending on whether inputs are locally sourced. Premium wines and high-value spirits may be subject to excise duties of up to 70% per litre under specific valuation thresholds.
When combined with import costs, insurance, freight and distributor margins, these tax structures significantly influence final retail prices.
A bottle of Hennessy X.O goes for Rwf 600,000.This 2013 Dom Pérignon Vintage sells for Rwf 540,000.A bottle of Ruinart 1729 Champagne goes for Rwf 350,000.This Glenmorangie 18 goes for Rwf 315,000.A selection of high-end drinks found in Rwanda.
His family confirmed he passed away on Thursday, describing his final months as a courageous fight marked by advocacy and dedication to raising awareness of the disease.
Dane publicly revealed his ALS diagnosis in April 2025 and spent the months that followed using his platform to support patients and research.
Family statements highlighted his determination to make a difference, noting that he focused on fundraising and bringing public attention to ALS, the most common form of motor neurone disease. In recognition of his efforts, Dane was named “Advocate of the Year” by the ALS Network in late 2025.
Born with a versatile talent for television and film, Dane first gained widespread recognition for his portrayal of Dr. Mark Sloan, affectionately nicknamed “McSteamy”, on the long-running medical drama Grey’s Anatomy. Introduced in Season 2, he became a fan favorite, appearing in 139 episodes, and left a lasting mark on pop culture.
He later drew acclaim for his darker, complex role as Cal Jacobs on the hit teen series Euphoria, continuing through the show’s second season and filming scenes for its upcoming third season. Dane also starred as Captain Tom Chandler on the post-apocalyptic action series The Last Ship from 2014 to 2018.
His other work included recurring television roles in Charmed and Gideon’s Crossing, early appearances in The Wonder Years, Roseanne, and Saved by the Bell, as well as film roles in X-Men: The Last Stand, Marley & Me, Valentine’s Day, Burlesque, and Bad Boys: Ride or Die.
Tributes have poured in from co-stars and colleagues, who remembered Dane as a warm, humorous, and intelligent presence on set. Many praised his dedication to ALS advocacy, noting his final months were defined by generosity and purpose.
Dane is survived by his wife and two daughters, Billie and Georgia, whom his family described as the center of his world. His memoir, scheduled for release later this year, will offer a closer look at his life, career, and enduring efforts to make a difference for those affected by ALS.
Dane publicly revealed his ALS diagnosis in April 2025 and spent the months that followed using his platform to support patients and research.
The Grammy-winning rapper addressed the breakup while responding to a social media post from her rival, rapper BIA, during her Little Miss Drama Tour performance in Los Angeles on Sunday. BIA had written amid rumours of the split: “Can u name someone with more bms than receiving yards? I can! and I know that. ykwnvm.”
Cardi B responded firmly to both the rumours and BIA’s jab, telling the crowd, “Let me tell you somethin’, just because I ain’t f–kin’ with my baby daddy doesn’t mean you get to talk about my baby daddy. B*tch this is for you.” She then performed the BIA diss track Pretty & Petty, according to TMZ.
Reports indicate that Cardi B and Diggs ended their relationship after allegations of infidelity on the footballer’s part. Their split comes just three months after the couple welcomed a child together, all while Cardi B navigates a divorce case with her ex-husband, Offset.
The rumours of a breakup intensified following Super Bowl 2026, in which the Seattle Seahawks defeated the New England Patriots 29-13. Both Cardi B and Diggs appeared to unfollow each other on social media after the game. During that season, Diggs, 32, recorded three receptions for 37 yards in his first year with the Patriots after signing a three-year deal in free agency.
Diggs also recently faced legal troubles, appearing in court for an arraignment after being accused of attacking his personal chef. He pleaded not guilty and is set for a pretrial hearing on April 1.
The couple had made their relationship Instagram official in the summer of 2025. Cardi B, 33, continues to tour on her Little Miss Drama Tour, which runs through mid-April, performing across major cities in the U.S.
Cardi B and Stefon Diggs at New York Knicks game in May 2025.
The concert will take place at BK Arena on March 17, before the tour continues to SunBet Arena in Pretoria, South Africa, on March 20.
Move Afrika blends world-class live music with social impact programs, aiming to create jobs, support youth entrepreneurship, and provide skills training across Africa. The initiative also engages local artists, production crews, and vendors, boosting capacity in host cities while delivering a world-class entertainment experience.
The first Move Afrika in Rwanda, held in December 2023, featured Kendrick Lamar and employed over 1,000 Rwandans, with 75% of the production crew sourced locally. The event showcased African talent including Zuchu, Bruce Melodie, DJ TOXXYK, Sherrie Silver, Ariel Wayz, Kivumbi King, and Bruce The 1st.
The 2025 edition saw EGOT-winning John Legend take the stage at BK Arena, performing hits such as “All of Me” and “Ordinary People” in outfits designed by Rwandan fashion brands Moshions and Tanga. That edition employed 90% local production staff and extended the tour to Lagos, Nigeria.
Move Afrika 2026 promises to continue this tradition, with Doja Cat delivering an electrifying performance while supporting local entrepreneurship and skill development. Tickets for Kigali and Pretoria are [already on sale->https://www.moveafrika.org/tour], with fans encouraged to secure their spots early for one of Africa’s most high-profile music events of the year.
{{Who is Doja Cat?
}}
Born Amala Ratna Zandile Dlamini, Doja Cat is an American rapper, singer, songwriter, and producer who has become one of the most prominent figures in modern pop and hip-hop. Known for her “chameleon” ability to switch between hard-hitting rap and melodic pop, she combines eccentric, internet-savvy personality with bold artistic vision.
The 30-year-old first gained massive attention in 2018 with the viral novelty track “Mooo!”, a DIY music video that showcased her talent for creating viral content. Her 2019 album Hot Pink featured the global hit “Say So”, which topped the Billboard Hot 100 after a remix with Nicki Minaj.
The 2021 album Planet Her solidified her superstar status with hits such as “Kiss Me More” (feat. SZA), “Need to Know”, and “Woman”, earning her a Grammy for Best Pop Duo/Group Performance. In 2023, she pivoted to a darker, rap-focused sound with Scarlet, led by the #1 hit “Paint the Town Red”, and her 2025 album Vie returned to her pop-leaning roots while maintaining her experimental edge.
Doja Cat is also known for her visual artistry, treating fashion and music videos as performance art, and her digital-native approach, often interacting directly with fans on social media. A self-taught musician, she learned to sing, rap, and produce after dropping out of high school at 16, using GarageBand to hone her craft.
With Move Afrika 2026, Kigali audiences will get a front-row experience of one of today’s most innovative and genre-defying artists, combining global stardom with a uniquely African stage experience.
