With the midterm elections approaching later this year, Trump is using this high‑profile speech as an opportunity to defend his record and rally support from Americans who remain sceptical about the direction of the country.
Domestically, Trump’s approval ratings have slipped as inflation and cost‑of‑living concerns continue to trouble many households. Recent data shows the U.S. economy has slowed more than expected, and the public is worried about job security and everyday expenses, forcing the president to try to reassure voters that his policies are working.
At the same time, a Supreme Court decision invalidating his global tariff program has undercut one of his signature economic strategies, and the impasse over immigration enforcement has led to parts of the Department of Homeland Security being temporarily shut down.
Internationally, the Trump administration is confronting rising tensions, particularly with Iran, where U.S. military assets have been repositioned amid ongoing nuclear disputes and regional instability. These foreign affairs challenges add to the pressure on Trump to present a confident and persuasive vision of U.S. leadership to both domestic and global audiences.
White House aides and Republican strategists see the State of the Union as a critical moment to shift the narrative, encouraging Trump to focus on economic gains such as stock market performance and tax cuts, even as polls show mixed public confidence in those outcomes. Trump is also expected to highlight his administration’s border policies, including deportation and enforcement efforts, despite controversy around these issues.
The address is expected to be lengthy and somewhat unscripted, a style Trump has used before giving him room to cover a wide range of topics and reinforce his message to voters ahead of the November elections. However, his administration’s troubles from economic discontent to geopolitical uncertainty will likely shape how the speech is received and influence the broader political climate in the months to come.
Trump prepares to address the nation at a critical moment, with economic challenges and political tensions shaping his upcoming State of the Union speech.
Officers arrested the 72-year-old Mandelson at an address in Camden on Monday, and he has been taken to a London police station for interview, a Metropolitan Police spokesperson said.
“This follows search warrants at two addresses in the Wiltshire and Camden areas,” the spokesperson said via a statement published online, adding that they were not able to provide further information to “prevent prejudicing the integrity of the investigation.”
In late January, the U.S. Justice Department made public a large cache of files related to the dead American financier and convicted sex offender Jeffrey Epstein, prompting renewed scrutiny in Britain. British police confirmed later that they had opened a criminal investigation into Mandelson over alleged misconduct while in public office, including the possible disclosure of market-sensitive information.
Mandelson previously served as a senior cabinet minister under former prime ministers Tony Blair and Gordon Brown. He was appointed ambassador to Washington in early 2025 but was dismissed by British Prime Minister Keir Starmer after seven months as questions over his past resurfaced.
Earlier this month, Starmer apologized for his decision to appoint Mandelson as British ambassador to the United States.
Speaking at an event in the town of Hastings in southeast England, Starmer said he had underestimated the seriousness of Mandelson’s past association with Epstein. He offered an apology to victims connected to the Epstein case and said he understood the anger voiced across parliament.
Due to the Mandelson-Epstein scandal, Starmer’s former chief of staff Morgan McSweeney, communications director Tim Allan, and Cabinet Secretary and Head of the Civil Service Chris Wormald have all stepped down from their posts.
Former British Ambassador to the US Peter Mandelson is seen in London on February 14.
Located in Huye’s academic heartland, the museum doesn’t overwhelm; it gently guides. A gift from Belgium’s King Baudouin in the late 1980s, it has grown into one of Africa’s finest ethnographic collections and remains a cornerstone of the Institute of National Museums of Rwanda.
Inside, Rwanda unfolds not through dates and timelines, but through the textures of daily life. The journey begins with the land itself, geology and geography that shaped how communities lived and thrived.
From there, visitors move through galleries filled with objects that once defined survival and creativity: farming tools worn smooth by use, finely woven baskets, elegant pottery, and woodwork that balances function with artistry.
There is a quiet poetry in the details. Traditional clothing reveals social identity; architectural models show how communities built harmony with their environment. One gallery explores the deep cultural significance of cattle, symbols of prosperity, social ties, and heritage that still resonate today. That living tradition continues nearby at the King’s Palace Museum, where descendants of the royal herd remain a powerful cultural link.
The final spaces shift from objects to meaning. Here, visitors encounter oral traditions, poetry, belief systems, and cosmology; the unseen threads that bind generations. It feels less like a museum room and more like listening to elders recount the foundations of a nation.
Outside, a vibrant craft centre brings continuity to the experience, showcasing artisans who carry tradition forward with contemporary expression.
For travelers exploring Rwanda beyond scenery, the Ethnographic Museum offers something deeper: context. It reveals how beauty, resilience, and identity are woven together, not only in landscapes, but in memory, craftsmanship, and living culture.
The Ethnographic Museum is located in Huye District. The Ethnographic Museum offers a glimpse into Rwanda’s cultural heritage. At the museum, visitors move through galleries filled with objects that once defined survival and creativity.
The rewards, equivalent to 10% of the VAT paid on Electronic Invoicing System (EBM) invoices requested during October, November, and December 2025, include 157,020 consumers from the final quarter of the year. An additional nine consumers received a combined Rwf 7,091,931 for invoices from July–September 2025, following verification for individual rewards exceeding Rwf 500,000.
To date, the VAT Reward programme, known as Tengamara Na TVA, has distributed more than Rwf 3.7 billion to 370,147 beneficiaries.
The programme has not only provided financial rewards but also reinforced tax compliance and civic responsibility, according to Assistant Commissioner for Taxpayer Services and Communications, Jean Paulin Uwitonze.
He noted that the 157,029 beneficiaries for this quarter have contributed to the collection of more than Rwf 13 billion toward national development.
“Since the launch of this programme, participants have continued to experience tangible benefits. Beyond the rewards, the initiative strengthens civic responsibility and reinforces a culture of tax compliance,” he stated.
Uwitonze emphasised that rewards are granted only for invoices accrued by final consumers in the relevant quarter, provided traders have declared and paid the VAT. He urged both consumers and traders to comply with invoicing requirements, noting that failure to issue or request EBM invoices is a legal violation.
Tengamara Na TVA encourages consumers to request EBM invoices for every purchase, offering a 10% VAT reward and a share of penalties from non-compliant traders. The programme aims to promote transparency and shared responsibility in national development.
To qualify, consumers must register for the VAT reward programme by providing their name, a Rwandan mobile phone number, a Mobile Money or bank account, and a national ID. Registration can be done by dialing *800# or through the MyRRA platform. The same channels allow users to check their reward accounts and track issued invoices.
To date, the VAT Reward programme, known as Tengamara Na TVA, has distributed more than Rwf 3.7 billion to 370,147 beneficiaries.
The request follows South Africa’s recent decision to withdraw its troops from eastern DRC, where they had been deployed under a Southern African regional mission against the AFC/M23 rebel alliance. Pretoria has also announced the withdrawal of its contingent serving under the United Nations peacekeeping mission, MONUSCO.
South Africa’s Presidency said the decision to pull its troops out of MONUSCO was driven by the “need to consolidate and realign the resources of the South African National Defence Force”, following 27 years of supporting UN peacekeeping efforts in the DRC.
DRC Minister of Defence Guy Kabombo Muadiamvita visited Pretoria on February 21, 2026, where he held talks with his South African counterpart, Angie Motshekga. The discussions focused on strengthening bilateral military cooperation.
In a statement, the DRC Ministry of Defence said the two officials met in a closed-door session to review various aspects of military and strategic cooperation between the two countries. Revisiting the 2004 military agreement between Kinshasa and Pretoria was among the key items on the agenda.
Both sides agreed to establish a joint team of experts to examine potential areas of renewed cooperation, drawing on the provisions of the 2004 accord. The outcome of these consultations could inform the negotiation and signing of a new agreement.
The original Pretoria Agreement was signed in June 2004, shortly after the DRC emerged from years of armed conflict. At the time, the accord was part of broader efforts to stabilise the country and rebuild its security institutions and economy, particularly in a nation endowed with vast mineral resources.
Then South African Defence Minister Mosiuoa Lekota pledged that South Africa would support the professionalisation of Congolese forces through training programmes, supply of military equipment and technical assistance.
However, unlike in 2004, when peace processes were underway to integrate former armed groups into a unified national army, the current security context remains marked by ongoing hostilities in parts of eastern DRC.
Kinshasa is now actively seeking multiple international partners to strengthen a military widely seen as under-resourced and structurally weak. Should the discussions advance, the United States is also expected to provide support, including training, equipment and intelligence cooperation.
Ministers Guy Kabombo Muadiamvita and Angie Motshekga held talks on strengthening military cooperation. South Africa’s recently announced decision to withdraw its troops from eastern DRC.
Mornings drift lazily here, as fishermen push wooden boats into the lake, their voices echoing across the water, while the air carries the fresh scent of water, pine, and earth.
Along the shores, small villages hum to life. Hidden trails, sandy beaches, and secret corners invite discovery. Whether you seek tranquil mornings, vibrant sunsets, flavorful local cuisine, or lakeside adventures, Lake Kivu, spanning 2,700 km², offers experiences that linger long after you leave, and always tempt you to return. With a maximum depth of 485 meters, it is Rwanda’s largest lake and the sixth largest in Africa.
In the north, the lakeside town of Rubavu, once known as Gisenyi, invites travelers to pause and savor life by the water. Its colonial-era mansions and vibrant bars line the shore, where sundowners can be enjoyed against the backdrop of fishermen paddling in harmony. A short drive from Volcanoes National Park, it is also the perfect retreat after gorilla trekking, offering both relaxation and lakeside charm.
Halfway along the lake, Karongi presents a serene beachside escape. Pine and eucalyptus-covered hills cascade down to the sparkling water, where dawn and dusk bring the hauntingly beautiful songs of local fishermen. Here, travelers can taste traditional Rwandan dishes such as grilled tilapia or fresh tropical fruits, and experience cultural performances that celebrate the region’s rich heritage.
For those drawn to adventure, Lake Kivu is a playground. Kayak across its placid waters, explore enchanting islands like Napoleon and Amahoro, or take to the legendary Congo Nile Trail—a 227-kilometre journey weaving along terraced hills, eucalyptus-lined paths, and panoramic viewpoints. Along the lakeshore, hospitality ranges from cozy guesthouses to luxury lodges among other facilities, all accompanied by the warmth and friendliness of Rwandan hosts.
Whether it’s the soft morning songs, the taste of local cuisine, or the thrill of exploring hidden corners of the lake, Lake Kivu unfolds like a secret gem waiting to be discovered.
Along the lakeshore, hospitality ranges from cozy guesthouses to luxury lodges among other facilities. With a maximum depth of 485 meters, Lake Kivuis Rwanda’s largest lake and the sixth largest in Africa..Lake Kivu, spanning 2,700 km², offers experiences that linger long after you leave.Mornings drift lazily at Lake Kivu as fishermen push wooden boats into the lake
The 21-year-old covered the 134.6 km from Nyamata in three hours, 10 minutes and 10.30 seconds (3:10:10.30), edging Eritrea’s Henok Mulubrhan by just two milliseconds in a thrilling finish.
The win marks back-to-back stage victories for NSN Development Team, following Itamar Einhorn’s triumph in Stage 1 from Rukomo to Rwamagana on Sunday.
The 21-year-old covered the 134.6 km from Nyamata in three hours, 10 minutes and 10.30 seconds.
Marti Pau also took the yellow jersey, gaining a 10-second advantage in a sprint at Imberabyombi, which propelled him ahead of his teammate Einhorn, who did not finish among the top 40 riders on Monday.
The stage saw the peloton tightly packed until the final kilometres, with Eritrean riders initially leading the charge into Huye. Riders positioned themselves for the decisive sprint in the last 2 km, with NSN and Soudal Quick-Step shaping the race for the finale.
Marti Pau’s win marks back-to-back stage victories for NSN Development Team, following Itamar Einhorn’s triumph in Stage 1 from Rukomo to Rwamagana on Sunday.
Top finishers in Stage 2 included Mauro Cuylits (Lotto-Groupe Wanty) in third, Hodei Muñoz Gabiña (Soudal Quick-Step Devo Team) in fourth, and Lucas Van Gils (Lotto-Groupe Wanty) in fifth.
The 2026 Tour du Rwanda will resume on Tuesday, February 24, with Stage 3 starting in Huye at 11:00 AM and finishing in Rusizi. The stage covers a distance of 145.3 kilometres.
Spanish rider Pau Soriano Martí powers past Eritrea’s Henok Mulubrhan to claim Stage 2 victory in Huye on Monday.The stage saw the peloton tightly packed until the final kilometresResidents turn up in large numbers along the road to witness the race.
The decision was announced on Monday, February 23, 2026, alongside updates for two other fixtures. The Rayon Sports–Al Hilal SC match had previously been postponed because Al Hilal SC was competing in the final stages of Group C in the CAF Champions League.
The game was initially rescheduled for Wednesday, February 25, 2026, at Stade Amahoro at 6:00 PM. However, it was later shifted to Kigali Pelé Stadium and brought forward to 3:00 PM due to recurring lighting issues, which the league cited as stemming from ongoing electricity supply problems.
In addition, the Kiyovu Sports vs. Marine FC match, originally set for Tuesday, February 24, 2026, has been postponed because Kigali Pelé Stadium will be closed. A new date for the match will be communicated in due course.
Another fixture affected is Al Merrikh SC vs. AS Muhanga, scheduled for Wednesday, February 25, 2026, at 3:00 PM, with the rescheduled date yet to be announced.
Currently, the league table is led by Al Hilal SC with 41 points, narrowly ahead of Al Merrikh SC, which trails by just one point.
Rayon Sports and Al Hilal SC will play at Kigali Pelé Stadium.
On a quiet afternoon in Kigali, the sound of traffic softens behind high compound walls. Inside, canvases lean against brick exteriors, paint dries in the sun, and artists move between studios with brushes still in hand. In a restored villa across town, visitors pause in front of layered abstract works, debating texture and meaning. Not far away, curators arrange lighting for an upcoming contemporary exhibition, fine-tuning how each piece will be encountered.
These are not isolated pockets of creativity. They are signs of a city steadily constructing its cultural identity.
Over the past decade, and more visibly in recent years, Kigali has developed a confident and increasingly structured contemporary art ecosystem. What began as collective studios driven by experimentation has expanded into a network that includes museums, research-based institutes, socially driven galleries, photography centres and private collector spaces.
Here are 10 art spaces at the heart of that transformation.
1. Inema Art Centre
More than a gallery, Inema, situated in the Kacyiru neighbourhood, functions as a living studio complex. Founded by brothers Emmanuel Nkuranga and Innocent Nkurunziza, the centre helped redefine what professional art practice could look like in Kigali.
Brothers Emmanuel Nkuranga and Innocent Nkurunziza founded Inema in 2012 in an effort to share their creative passion with Rwandans and visitors alike.
Visitors rarely encounter a silent, static space. Instead, they find artists actively working on large-scale canvases characterised by bold colour palettes, textured layers and recurring motifs that draw from Rwandan daily life. The centre regularly hosts themed exhibitions, dance performances, poetry evenings and workshops for young creatives.
Artworks on display at Inema Art Center.
Inema’s impact lies not only in the artwork it produces, but in how it normalised the idea that contemporary art could be visible, collaborative and commercially viable within Rwanda.
2. Ivuka Art
As Rwanda’s first contemporary art collective, Ivuka Arts, situated in Kacyiru, represents the roots of Kigali’s modern art movement. Its open compound model, where artists share space, critique each other’s work and collaborate across mediums, created an early support system in an otherwise limited infrastructure.
An artwork at Ivuka.
The space is known for its colourful murals and sculpture installations that spill into outdoor areas, blurring the line between exhibition and environment. Ivuka fostered experimentation at a time when contemporary art was still gaining recognition locally, helping shape a generation of artists who would later exhibit regionally and internationally.
3. Rwanda Art Museum
Set within the former Presidential Palace in Kanombe, the Rwanda Art Museum offers one of the most layered art experiences in the country. The building itself carries political history, and the preserved wreckage of the presidential plane in the garden serves as a reminder of the nation’s past.
The museum carries deep political history.
Inside, the museum houses more than 120 works by over 50 artists, providing a structured overview of Rwanda’s visual art evolution. The collection spans painting and sculpture, capturing shifts in style, subject matter and technique over time. Unlike studio spaces, the museum offers institutional framing, placing contemporary Rwandan art within a curated historical narrative.
4. Gihanga Institute of Contemporary Art(GICA)
Opened in December 2025, the Gihanga Institute of Contemporary Art (GICA) represents a decisive step toward institutional maturity in Rwanda.
The Gihanga Institute of Contemporary Art (GICA), Rwanda’s first non-profit institution dedicated to contemporary art, officially opened in Kigali on December 20, 2025.
Situated in Kimihurura, GICA is the country’s first independent, non-profit center dedicated to high-end contemporary art and Pan-African exchange.
Co-founded by international curator Kami Gahiga and artist Kaneza Schaal, the 777-square-meter facility, designed by architect Amin Gafaranga, moves beyond exhibition alone. It functions as a complete ecosystem, integrating curated shows with a reference library curated by Christian Nyampeta, a screening room, and artist residency studios.
Its inaugural exhibition, Inuma: A Bird Shall Carry the Voice, featured world-class talent and underscored a multidisciplinary mission that positions Kigali as a rigorous hub for global art dialogue and structured cultural infrastructure.
5. Niyo Art Gallery
At Niyo Art Gallery in Kacyiru, artistic production is directly tied to social impact. Founded by Pacifique Niyonsenga, the gallery operates as a social enterprise supporting vulnerable children through education and creative training funded by art sales.
The gallery doubles as a learning space, where young artists receive mentorship and exposure.
The artwork displayed often reflects scenes of rural and urban Rwandan life, rendered in vibrant tones and layered textures. The gallery doubles as a learning space, where young artists receive mentorship and exposure. Here, art functions as both livelihood and opportunity, reinforcing its social dimension within Kigali’s ecosystem.
6. Tongo Art Gallery
Tongo Art Gallery, located in Kacyiru, offers a quieter but deeply engaging experience. Known for abstract and mixed-media works, it provides space for experimentation in form and technique.
Exhibitions often rotate, allowing emerging and mid-career artists to test new ideas before an intimate audience. Live painting sessions and pop-up events keep the space fluid. Tongo’s strength lies in its accessibility; conversations between artists and visitors unfold naturally, demystifying the creative process.
7. Indiba Art Space
Indiba Art Space, nestled in the vibrant neighbourhood of Kimihurura, leans toward carefully curated exhibitions that explore identity, heritage and contemporary urban life. The gallery’s programming often includes workshops and discussions, reinforcing its role as more than a display venue.
Artists making murals.
Works presented at Indiba frequently engage with memory and transformation, reflecting Rwanda’s rapid social and economic evolution. The gallery contributes to a growing culture of critical engagement around art in Kigali.
Group of students visiting the gallery for ‘Mural Day’.
8. Choose Kigali
Choose Kigali introduces a different model, merging contemporary art with high-end dining. Founded by Emmanuel Nkuranga, the space located in the Kiyovu neighbourhood caters to collectors and patrons seeking a more exclusive setting.
Choose Kigali merges contemporary art with high-end dining.
Artworks are displayed within a refined interior, encouraging slower viewing and private acquisition. This hybrid concept reflects the expanding commercial dimension of Kigali’s art scene and the rise of a discerning local and international clientele.
9. Kigali Center for Photography
While painting dominates much of the city’s gallery landscape, the Kigali Center for Photography (KCP), situated in the creative heart of Kimihurura, anchors a different visual medium.
The centre aims to explore and promote Rwandan and foreign photography.
As the first dedicated space of its kind in Rwanda, the center prioritizes visual storytelling as a tool for social change and historical preservation. Beyond its gallery walls, KCP serves as a vibrant ‘learning lab’ where founder Jacques Nkinzingabo and local mentors provide free workshops, equipment access, and residencies for emerging talent.
By focusing on documentary and artistic photography, the center actively works to reclaim the Rwandan narrative, shifting the lens away from past trauma toward a multifaceted view of contemporary identity, resilience, and daily life.
10. Inkingi Arts Space
Inkingi, which translates to “pillar” or “support” in Kinyarwanda, lives up to its name by serving as a foundational space for both established and emerging artists.
Nestled within a lush, green compound, Inkingi is incredibly photogenic and welcoming.
Founded in 2023 by Olivier Kwitonda and located in Kacyiru, the gallery exudes a distinct atmosphere that feels more like an intimate garden sanctuary than a bustling, high‑traffic space.
Nestled within a lush, green compound, Inkingi is incredibly photogenic and welcoming. Like Inema, it functions as an active studio where visitors can often meet the artists at work, and many guests describe the hospitality here as among the warmest in Kigali, making every visit feel personal and engaging.
While bold acrylic paintings, a hallmark of Rwandan contemporary art, are on display, Inkingi distinguishes itself through diversity. Visitors encounter a mix of paintings, sculptures, intricate beadwork, and textiles, reflecting a wide range of creative practices.
The gallery also offers a strong connection to Rwanda’s cultural heritage. Every third Saturday of the month, storytelling sessions are paired with traditional food, allowing guests to engage with the country’s oral traditions while surrounded by modern visual interpretations of those same stories. In this way, Inkingi bridges the gap between heritage and contemporary expression, creating a space that is both reflective and forward-looking.
Hosted at the Paris Expo–Porte de Versailles, the exhibition runs from late February to early March each year, showcasing agricultural and livestock products, related value chains, farming technologies, partnerships, and innovation.
The 2026 edition opened on Saturday, February 21, and was officially inaugurated by French President Emmanuel Macron.
Rwanda is exhibiting at Stand 7, highlighting its progress in developing export-oriented agricultural and livestock products. The country is represented by the National Agricultural Export Development Board (NAEB) and the Embassy of Rwanda in France.
The event provides a platform for traders, farmers, entrepreneurs, and investors to exchange expertise and build partnerships to advance the agriculture and livestock sectors.
Fifteen Rwandan companies are participating, showcasing products such as coffee, tea, honey, and other value-added goods. The participation reflects Rwanda’s continued investment in strengthening agricultural value chains and expanding access to international markets.
Agricultural and livestock exports remain a key driver of Rwanda’s economy. In December 2025, the Ministry of Agriculture and Animal Resources announced that exports from the sector had generated more than $893.1 million in revenue.
Under the Second National Strategy for Transformation (NST2), Rwanda aims to increase annual foreign exchange earnings from agricultural and livestock exports to $1.5 billion by 2029.
Rwanda is taking part in international agriculture and livestock exhibition for the fith time. Rwanda is showcasing products including coffee, tea, honey and others.Rwanda is exhibiting at Stand 7, where it is highlighting the country’s continued progress in developing export-oriented agricultural produce. The 2026 edition of the trade fair opened on Saturday, February 21. Rwanda is represented by 15 companies.
