{"id":853,"date":"2011-12-02T11:06:29","date_gmt":"2011-12-02T11:06:29","guid":{"rendered":"https:\/\/new.igihe.com\/french\/kinyarwanda-un-nouveau-film-relatant-le-genocide-853\/"},"modified":"2011-12-02T11:03:42","modified_gmt":"2011-12-02T11:03:42","slug":"kinyarwanda-un-nouveau-film-relatant-le-genocide","status":"publish","type":"post","link":"https:\/\/new.igihe.com\/french\/kinyarwanda-un-nouveau-film-relatant-le-genocide\/","title":{"rendered":"Kinyarwanda, un nouveau film relatant le g\u00e9nocide du Rwanda"},"content":{"rendered":"<p>&nbsp;\u00ab&nbsp;De tout mon c\u0153ur, je demande pardon&nbsp;\u00bb confesse un g\u00e9nocidaire vers la fin du film \u00ab&nbsp;kinyarwanda&nbsp;\u00bb.<\/p>\n<p>Le Pardon devait \u00eatre une ressource naturelle pr\u00e9cieuse au Rwanda en 1994, apr\u00e8s le g\u00e9nocide qui a laiss\u00e9 plus de un million de morts, essentiellement des Tutsis. Ces atrocit\u00e9s sont la toile de fond de l\u2019horrible histoire de ces six lignes li\u00e9es \u00e0 ce drame brutal mais r\u00e9fl\u00e9chi.<\/p>\n<p>Le r\u00e9alisateur am\u00e9ricain de \u00ab&nbsp;kinyarwanda&nbsp;\u00bb, Alrick Brown, utilise une s\u00e9quence d\u2019\u00e9v\u00e9nements entrecoup\u00e9s repr\u00e9sentant un \u00e9ventail de personnes pendant le massacre d\u2019apr\u00e8s une histoire v\u00e9cue d\u2019Isma\u00ebl Ntihabose<\/p>\n<p>\u00ab&nbsp;Je suis d\u2019une certaine mani\u00e8re convaincu qu\u2019en montrant les statistiques, la mort et l\u2019horreur au Rwanda, on agit pour pr\u00e9venir ces drames&nbsp;\u00bb, affirme Alrick Brown. \u00ab&nbsp;Mais on \u00e9vite tout autant la guerre en montrant la vie et l\u2019amour et en humanisant les populations concern\u00e9es plut\u00f4t que de les d\u00e9shumaniser et de montrer des corps sans visage dans des charniers&nbsp;\u00bb<\/p>\n<p>Dans une sc\u00e8ne, on d\u00e9crit un vif d\u00e9bat de religieux musulmans qui mettent de c\u00f4t\u00e9 leur propre s\u00e9curit\u00e9 afin de cacher des Tutsis dans leurs mosqu\u00e9es.<\/p>\n<p> D\u2019autres sc\u00e8nes se d\u00e9roulent dans un camp de r\u00e9\u00e9ducation o\u00f9 les g\u00e9nocidaires sont sensibilis\u00e9s \u00e0 accepter leurs r\u00f4les dans le massacre \u00e0 la machette de leurs compatriotes rwandais.<\/p>\n<p> Moins convaincante est l\u2019intrigue principale, qui se concentre sur Jeanne (une femme r\u00e9serv\u00e9e et inconfortable Hadidja Zaninka), une Tutsie dont les parents sont morts alors qu\u2019elle s\u2019\u00e9tait faufil\u00e9e hors de sa maison pour assister \u00e0 une f\u00eate. Son r\u00e9cit sugg\u00e8re l\u2019ouverture d\u2019un film subtil qui va surprendre.<\/p>\n<p> \u00ab&nbsp;Kinyarwanda&nbsp;\u00bb, est charg\u00e9 d\u2019une mission noble, il ajoute de la texture aux faits&nbsp;: C\u2019est ce qui s\u2019est pass\u00e9 r\u00e9ellement, et c\u2019est cela qui compte.<\/p>\n<p>Photo&nbsp;: le r\u00e9alisateur noir am\u00e9ricain \u00e0 gauche <\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;\u00ab&nbsp;De tout mon c\u0153ur, je demande pardon&nbsp;\u00bb confesse un g\u00e9nocidaire vers la fin du film \u00ab&nbsp;kinyarwanda&nbsp;\u00bb. Le Pardon devait \u00eatre une ressource naturelle pr\u00e9cieuse au Rwanda en 1994, apr\u00e8s le g\u00e9nocide qui a laiss\u00e9 plus de un million de morts, essentiellement des Tutsis. Ces atrocit\u00e9s sont la toile de fond de l\u2019horrible histoire de ces [&hellip;]<\/p>\n","protected":false},"author":456,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7537],"tags":[7605,7610],"byline":[7668],"hashtag":[],"class_list":["post-853","post","type-post","status-publish","format-standard","hentry","category-arts-culture","tag-homenews","tag-mainslidenews","byline-yves-nyirinkwaya"],"bylines":[{"id":7668,"name":"Yves Nyirinkwaya","slug":"yves-nyirinkwaya","description":"","image":{"id":0,"url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&f=y&r=g","alt":"Default avatar","title":"Default avatar","caption":"","mime_type":"image\/jpeg","sizes":[]},"user_id":null}],"contributors":[{"id":7668,"name":"Yves Nyirinkwaya","slug":"yves-nyirinkwaya","description":"","image":{"id":0,"url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&f=y&r=g","alt":"Default avatar","title":"Default avatar","caption":"","mime_type":"image\/jpeg","sizes":[]},"user_id":null}],"featured_image":null,"_links":{"self":[{"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/posts\/853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/users\/456"}],"replies":[{"embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/comments?post=853"}],"version-history":[{"count":0,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/posts\/853\/revisions"}],"wp:attachment":[{"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/media?parent=853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/categories?post=853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/tags?post=853"},{"taxonomy":"byline","embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/byline?post=853"},{"taxonomy":"hashtag","embeddable":true,"href":"https:\/\/new.igihe.com\/french\/wp-json\/wp\/v2\/hashtag?post=853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}