{"id":55478,"date":"2025-09-03T16:51:26","date_gmt":"2025-09-03T16:51:26","guid":{"rendered":"https:\/\/new.igihe.com\/exploring-rwanda-in-painting-and-prose-through-the-book-les-mille-collines-a\/"},"modified":"2025-09-03T17:35:59","modified_gmt":"2025-09-03T17:35:59","slug":"exploring-rwanda-in-painting-and-prose-through-the-book-les-mille-collines-a","status":"publish","type":"post","link":"https:\/\/new.igihe.com\/english\/exploring-rwanda-in-painting-and-prose-through-the-book-les-mille-collines-a\/","title":{"rendered":"Exploring Rwanda in painting and prose through the book \u2018Les Mille Collines \u00e0 coups de p\u00e9dale\u2019"},"content":{"rendered":"<p>The project is the result of a creative partnership between Belgian painter Paul De Gobert and Rwandan writer Joseph Ndwaniye, who set out to capture the nation\u2019s landscapes, people and stories through two distinct yet complementary lenses: watercolour and prose.<\/p>\n<p>The idea was born after the two met at a literary event. Inspired by their shared fascination with Rwanda, they embarked on a journey to document the country in real time. <\/p>\n<p>De Gobert worked with portable formats, using watercolours to capture the fleeting play of light, speed and effort, while Ndwaniye translated those impressions into words, crafting a sensitive, nuanced narrative.<\/p>\n<p>The result is a book that reads like a travel journal where image and text stand side by side, each offering its own way of understanding the country. <\/p>\n<p>Rather than one medium overshadowing the other, painting and prose work in harmony, giving the reader a layered experience.<\/p>\n<p>At the heart of the book lies the bicycle, a deliberate choice by the authors. For Ndwaniye, it represents more than just a means of transport; it is a social connector and a symbol of resilience.<\/p>\n<p>The bicycle in Rwanda carries goods, brings families together, transports the sick and, in recent years, has placed the country firmly on the international sporting map. <\/p>\n<p>From daily survival to elite competition, the bicycle becomes a metaphor for Rwanda\u2019s capacity to move forward.<\/p>\n<p>{{Memory and resilience}}<\/p>\n<p>The narrative also touches on Rwanda\u2019s past, particularly through visits to memorials. These moments are acknowledged with sensitivity, but the book resists reducing the nation to a single chapter of history. <\/p>\n<p>Instead, it highlights a broader picture: traditions, biodiversity, everyday life and the determination of a society rebuilding itself while hosting international cycling events.<\/p>\n<p>The publication of Les Mille Collines \u00e0 Coups de P\u00e9dale coincided with Rwanda\u2019s growing role in international cycling. Original works by De Gobert will be exhibited at the Institut fran\u00e7ais in Kigali from September 18 to October 6, while a dedicated stand will be set up during the week of the world cycling championships. <\/p>\n<p>Visitors will have the chance to meet the authors, attend signings and engage in discussions.<\/p>\n<p>But the project goes beyond the book launch. It aims to inspire young Rwandans to embrace cycling, celebrate those shaping the sport, and showcase local artistic talent. <\/p>\n<p>Both authors have signalled their commitment to continuing the collaboration: De Gobert has already created hundreds of works on Rwanda, and Ndwaniye continues to expand his literary exploration.<\/p>\n<p>Ultimately, Les Mille Collines \u00e0 Coups de P\u00e9dale is more than a book, it is an invitation to rediscover Rwanda\u2014through the rhythm of pedalling, the stroke of a brush, and the cadence of carefully chosen words. It shows how sport and art can come together to tell the story of a nation in motion.<\/p>\n<p>Joseph Ndwaniye, hailing from Murambi in Rwanda, has lived in Belgium since 1986. Alongside his career as a specialist oncology nurse, he has built a strong literary reputation with works such as La Promesse faite \u00e0 ma s\u0153ur (2007; reissued 2018), Le Muzungu mangeur d\u2019hommes (2018), and En qu\u00eate de nos anc\u00eatres (2021), as well as numerous short stories.<\/p>\n<p>Paul De Gobert, a Belgian painter, printmaker and watercolourist, is widely recognised for his public commissions and exhibitions, including murals like the Vandervelde metro station in Brussels. <\/p>\n<p>Author of illustrated works such as Visages de Mongolie, Ma travers\u00e9e de Bruxelles and Le Jardin sauvage, he has also produced hundreds of artworks dedicated to Rwanda.<\/p>\n<p>{{Preface: David Lappartient, President of the UCI.  }} <\/p>\n<p>{{Publisher: Histoire et Images.}}<\/p>\n<figure class=\"spip-document spip-document-93773\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.37_52_pm.jpg\" alt=\"\" \/><\/figure>\n<figure class=\"spip-document spip-document-93781\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg\" alt=\"Belgian painter Paul De Gobert and Rwandan writer Joseph Ndwaniye set out to capture the nation\u2019s landscapes, people and stories through two distinct yet complementary lenses.\" \/><\/figure>\n<figure class=\"spip-document spip-document-93778\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.36_43_pm.jpg\" alt=\"IGIHE journalist in a keepsake photo after an interview about the book &quot;Les Mille Collines \u00e0 Coups de P\u00e9dale,&quot; with Belgian painter Paul De Gobert and Rwandan writer Joseph Ndwaniye.\" \/><\/figure>\n<figure class=\"spip-document spip-document-93775\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.37_21_pm.jpg\" alt=\"At the heart of the book lies the bicycle, a deliberate choice by the authors. \" \/><\/figure>\n<figure class=\"spip-document spip-document-93771\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.39_22_pm.jpg\" alt=\"Ndwaniye signing a copy of the book. \" \/><\/figure>\n<figure class=\"spip-document spip-document-93772\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.40_05_pm.jpg\" alt=\"\" \/><\/figure>\n<figure class=\"spip-document spip-document-93776\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.37_08_pm.jpg\" alt=\"Paul De Gobert, a Belgian painter, printmaker and watercolourist, is widely recognised for his public commissions and exhibitions, including murals like the Vandervelde metro station in Brussels. \" \/><\/figure>\n<figure class=\"spip-document spip-document-93777\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.37_02_pm.jpg\" alt=\"Joseph Ndwaniye, hailing from Murambi in Rwanda, has lived in Belgium since 1986.\" \/><\/figure>\n<figure class=\"spip-document spip-document-93774\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.37_43_pm.jpg\" alt=\"\" \/><\/figure>\n<figure class=\"spip-document spip-document-93779\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.36_18_pm.jpg\" alt=\"\" \/><\/figure>\n<figure class=\"spip-document spip-document-93780\"><img decoding=\"async\" src=\"https:\/\/en-images.igihe.com\/jpg\/whatsapp_image_2025-09-03_at_3.36_11_pm.jpg\" alt=\"\" \/><\/figure>\n<p>karirima@igihe.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new book, Les Mille Collines \u00e0 Coups de P\u00e9dale, translated as The Thousand Hills by Pedal Strokes, offers readers a vibrant portrait of contemporary Rwanda, blending art and literature into a unique travel narrative.<\/p>\n","protected":false},"author":62,"featured_media":2000093784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[75],"byline":[269],"hashtag":[],"class_list":["post-55478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-homenews","byline-karirima-aimable-ngarambe"],"bylines":[{"id":269,"name":"Karirima Aimable Ngarambe","slug":"karirima-aimable-ngarambe","description":"","image":{"id":0,"url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&f=y&r=g","alt":"Default avatar","title":"Default avatar","caption":"","mime_type":"image\/jpeg","sizes":[]},"user_id":null}],"contributors":[{"id":269,"name":"Karirima Aimable Ngarambe","slug":"karirima-aimable-ngarambe","description":"","image":{"id":0,"url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&f=y&r=g","alt":"Default avatar","title":"Default avatar","caption":"","mime_type":"image\/jpeg","sizes":[]},"user_id":null}],"featured_image":{"id":2000093784,"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","alt":"","caption":"","mime_type":"image\/jpeg","width":0,"height":0,"sizes":{"thumbnail":{"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","width":1,"height":1},"medium":{"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","width":1,"height":1},"medium_large":{"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","width":1,"height":1},"large":{"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","width":1,"height":1},"full":{"url":"https:\/\/en-images.igihe.com\/IMG\/logo\/whatsapp_image_2025-09-03_at_3.35_53_pm_1_.jpg","width":0,"height":0}}},"_links":{"self":[{"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/posts\/55478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/comments?post=55478"}],"version-history":[{"count":0,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/posts\/55478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/media\/2000093784"}],"wp:attachment":[{"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/media?parent=55478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/categories?post=55478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/tags?post=55478"},{"taxonomy":"byline","embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/byline?post=55478"},{"taxonomy":"hashtag","embeddable":true,"href":"https:\/\/new.igihe.com\/english\/wp-json\/wp\/v2\/hashtag?post=55478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}