The couple shared the joyful news on their social media platforms with a stunning maternity photoshoot, where Priscilla is seen radiating in an elegant gown, her growing baby bump proudly on display. One intimate shot shows Jux gently kissing her belly, a moment that melted fans’ hearts across the continent.
The announcement quickly went viral, with a wave of congratulatory messages pouring in from fellow celebrities including Diamond Platnumz, Alliah Cool, and Peter Okoye (Mr. P) of P-Square.
Juma Jux and Priscilla, who is the daughter of Nollywood star Iyabo Ojo, captured public attention with their whirlwind romance. The two first sparked dating rumours after a joint appearance during a project in Kigali and their relationship soon blossomed into one of the most talked-about love stories in African entertainment.
Their union was sealed in grand style with a traditional Yoruba ceremony in Lagos, followed by an opulent white wedding and Nikkah in Dar es Salaam in May 2025, drawing admiration from fans across East and West Africa.
Before finding love with Priscilla, Juma Jux was previously linked to socialite Karen Bujulu and pop star Vanessa Mdee, who is now married to American singer Rotimi. Vanessa and Rotimi are parents to two children, Seven and Imani.
As Jux and Priscilla prepare to welcome their bundle of joy, fans and followers continue to celebrate the couple’s journey with heartfelt wishes and anticipation for the next chapter.
The grand festival took place on the night of Sunday, July 20, 2025, and was officially opened by President Denis Sassou N’Guesso of Congo Brazzaville.
This 12th edition, which also marks the 30th anniversary of FESPAM, was held under the theme: “Music and Its Role in Africa’s Economy in the Digital Age.”
Boukuru’s performance was graced by high-profile guests including Marie-France Lydie Hélène Pongault, Congo’s Minister of Culture; Rwanda’s Ambassador to the Republic of Congo, Amb. Parfait Busabizwa; members of the Rwandan community living in Brazzaville; and hundreds of Congolese music enthusiasts.
As she stepped onto the stage, Boukuru greeted the crowd and proudly declared, “I am a Rwandan artist and I’m here to share with you the essence of Rwandan creativity.”
Speaking after her performance, Boukuru expressed how meaningful it was to be on such a prestigious platform.
“Representing Rwanda is a great honor,” she said. “Being in Brazzaville is important for my artistic journey because it allows me to connect with fellow creatives, learn from others, and grow my own expression.”
Beyond her opening-night performance, Boukuru is set to showcase her art at multiple festival venues across different neighborhoods in Brazzaville as part of the ongoing FESPAM schedule.
The opening night attracted over 8,000 attendees and set the tone for a vibrant celebration of African music.
In addition to live performances, the festival includes panel discussions on African music, a heritage exhibition of iconic instruments, and free concerts in venues like Mayanga, Kintélé, and more. The event will also feature the screening of a documentary film about Congolese Rumba, one of Africa’s most celebrated musical genres.
Alongside Boukuru, artists from various countries are expected to perform throughout the festival. FESPAM is organized in partnership with the Government of Congo Brazzaville, the African Union, and UNESCO.
Kigali Streetball is a dynamic basketball festival that blends basketball games with dance performances, rap music, and other entertainment.
Participants will compete in various activities including singing, basketball matches played in diverse styles, and dancing.
Speaking to members of the press on Thursday, July 17, 2025, alongside supporting artists such as Bulldogg, Trizzie Ninety Six, B-Threy, and Angell Mutoni, MC Murenzi highlighted several new elements attendees can look forward to.
“This time, Kigali Streetball will be a renewed event featuring various fresh elements. We decided to keep it at Petit Stade because it’s a familiar place where the event was traditionally held and well-known. Hosting it elsewhere would be expensive, requiring the construction of a stage and other infrastructure,” he said.
MC Murenzi also noted that talented participants from neighboring countries such as the Democratic Republic of Congo, Burundi, and even Canada will join the event. Although they invited women’s basketball teams to participate, only one team registered, which posed some challenges.
“We encouraged individual female players to register,” he added.
The competition will reward the winning team with Frw 800,000, while individual players will receive Frw 200,000 each. MC Murenzi confirmed that since presenting the event concept to the Rwanda Basketball Federation (FERWABA), it has been warmly received and supported.
Eight teams will compete in a knockout format, with matches played to 21 points.
MC Murenzi further revealed a new collaborative song featuring artists including Bushali and P-Fla, which will premiere during the event. The track will spotlight rappers competing in the contest, with plans to update the song annually to feature new standout artists.
The revived Kigali Streetball is scheduled for July 19–20, 2025, with performances by artists such as Bull Dogg, B Threy, Bushali, Angell Mutoni, and others.
Tickets will cost between 5,000 and 15,000 Rwandan Francs, with discounts for advance purchases. Interested attendees can purchase tickets online.
Originally launched in 2006, Kigali Streetball had been dormant since 2007 when it was last organized by Contact FM on the initiative of Albert Rudatsimburwa.
MC Murenzi recently disclosed that preparations for this year’s event have already cost over Frw 40 million.
In a detailed social media post, Nyong’o revealed that she underwent surgery to remove 30 fibroids, describing the experience as both physically and emotionally challenging. Despite the procedure, doctors informed her that there was little she could do to prevent the fibroids from returning.
“When we reach puberty, we are taught that periods mean pain, and that pain is simply a part of being a woman,” Nyong’o wrote. “We must reject the normalisation of female pain.”
Uterine fibroids are benign tumours that grow in or around the uterus. While non-cancerous, they can lead to heavy menstrual bleeding, anaemia, pelvic pain, frequent urination, and complications during pregnancy.
The condition affects an estimated 70% of white women and up to 90% of Black women by the age of 50, according to the National Institutes of Health.
Nyong’o’s announcement sheds light on what she describes as a widespread but underdiscussed health issue.
“We are struggling alone with something that affects most of us,” she stated, urging more open conversations and better access to care.
The Kenyan-Mexican actress, best known for her Oscar-winning performance in 12 Years a Slave, is now leveraging her public platform to advocate for policy change. She recently joined U.S. lawmakers in Washington, D.C., to support a package of congressional bills aimed at expanding research, improving early diagnosis, and funding less invasive treatment options for uterine fibroids.
In addition to legislative efforts, Nyong’o announced plans to launch a Uterine Fibroid Research Grant to help develop innovative treatments and improve the quality of life for the estimated 15 million women living with the condition in the U.S.
Her advocacy aligns with a growing movement to address racial disparities in women’s healthcare. Studies have shown that Black women not only develop fibroids at younger ages but often suffer more severe symptoms and face longer delays in diagnosis and treatment.
Nyong’o said it wasn’t until she began sharing her experience privately that she realised how widespread the issue was.
In a fiery Instagram Live session, Naomie dismissed the chatter, saying she’s happily married and that no one entrusted her husband to the public.
The backlash comes after some social media users shared photos of Tesfay boarding a public bus, sparking online claims that the beauty queen had married a man of modest means.
Naomie, however, wasn’t having any of it.
“Where do you expect him to go? Just leave him alone,” she said during the live broadcast. “And whenever you see him, keep your mouth shut. I’ll even help you out by buying something called ‘Super Glue’—so next time you see him at night, just stay silent. As for me, say whatever you want. I heard some of you saying he’s poor!”
She went on to question the logic behind the criticism, pointing out that her husband has never appeared on social media asking for help.
“Have you ever seen him come online to beg? Have I ever said something’s wrong with him? No. So please, leave him alone. When I posted him, did I ever say ‘take him’? He’s mine. This is the face of a happy woman, not someone who’s struggling.”
Naomie and Michael tied the knot on December 29 2024, and since then, she hasn’t hesitated to show her followers just how content she is with her choice.
“God gave me the man I prayed for,” she’s said repeatedly, making it clear that love, not public opinion, is what defines their union.
Known for his hilarious impersonations of President Museveni and his trademark blend of classroom wit and political satire, Mpamire has built a career that straddles both teaching and comedy.
Like in many parts of the region, his content has been warmly received by Rwandan audiences, as he continues to grace various stages and expand his performances beyond home.
On Thursday, July 10, he makes a return to the Gen Z Stand-Up Comedy show, a year after his last performance in Kigali.
In an exclusive interview with IGIHE upon landing in the capital, the 42-year-old comedian expressed excitement about his return, describing Rwanda as his second home.
“I’m so glad to be back in Rwanda. Rwanda is my second home, apart from Uganda. I’m glad to be here once again and happy to be hosted at Gen Z Comedy,” he said.
Gen Z Comedy has quickly become a staple on Kigali’s entertainment calendar, known for its vibrant mix of emerging and seasoned comedic talent. This year’s show carries a special theme, ‘Kwibohora31,’ commemorating Rwanda’s 31st Liberation Anniversary.
Reflecting on his connection with local fans, Teacher Mpamire praised Rwandan audiences for their purposeful support of comedy.
“Rwandan audiences purposely come for comedy. They’re ready, welcoming, and they support local comedians first, which makes it easier for international acts like me,” he said.
Mpamire will join local comedians, including Umushumba, Pirate, Rumi, Kadudu, Joseph, and Dudu for a night promising laughter and high-energy performances.
Speaking further in his interview, he reflected on the significance of performing during Rwanda’s Liberation period.
“It’s a nice initiative to perform during this time. As a teacher of nationalism, I know the importance of remembering a country’s past and celebrating progress. Rwanda has achieved so much — from the cleanliness of Kigali to the discipline of its citizens. I’m always impressed,” he added.
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Mpamire’s comedic style is a unique fusion of humour and education, deeply rooted in his role as a teacher at Standard High School Zzana in Uganda.
While he occasionally uses humour to engage students, he draws a clear line between comedy and teaching.
“I follow the teachers’ code of conduct. When I’m in class, it’s class time. But today’s students prefer teachers with a sense of humor, so I drop in small jokes related to the lesson — it helps them understand better. But I always know my limit,” he shared.
His journey into comedy began after watching Zambian comedian Ben Phiri, who performed in Uganda as a presidential impersonator.
“I was inspired seeing Ben Phiri act as President Museveni and Nelson Mandela. That’s how I developed my own version of acting as the president of Uganda,” he recalled.
But Mpamire’s craft evolved significantly after studying at the American Comedy Institute in New York, where he learned the art of writing, researching, and performing structured comedy.
“Before America, I only performed as the president. But my teacher, Steve Rosenfield, taught me to anchor my comedy in what I know best — teaching. That’s how I became Teacher Mpamire. Now, when people watch me, they can tell I’ve done my homework,” he said.
Mpamire encourages young comedians to be genuine, creative, and open to growth, especially in the face of criticism.
“If you want comedy as a career, you have to rehearse, research, and be original. Everything in life can be comedy — you just have to look for it. And remember, nothing is completely new in this world. What matters is how you make it your own,” he advised.
Landing at Kigali International Airport on Tuesday morning, Teacher Mpamire was warmly received by the event’s organising team, who are behind the fast-rising Gen-Z Comedy series, now a staple on Kigali’s entertainment calendar with two editions each month.
Mpamire was all smiles as he waved the Rwandan flag handed to him upon arrival, a gesture he said made him feel right at home.
“I love Rwanda. From the moment I started performing here, the people have always shown me so much love—and I love them back. Every time I’m here, it feels like home. Rwanda is truly my second country after Uganda,” he shared.
This marks Teacher Mpamire’s second appearance at Gen-Z Comedy, and this time, the show is themed around #Kwibohora31, commemorating Rwanda’s 31st Liberation Anniversary.
He will be sharing the stage with a stellar lineup of Rwandan comedians, including Umushumba, Pirate, Rumi, Kadudu, Joseph, and Dudu—promising a night packed with laughter and energy.
Gen-Z Comedy has quickly earned a loyal following for its fresh take on stand-up, spotlighting both rising and established acts who reflect the voice and humour of the younger generation.
The concert took place on Saturday evening, in Texas, as part of the ongoing convention scheduled to close today, July 6.
Hosted by renowned media personality Ally Soudy, the event brought together Rwandans from across the globe for a night of celebration, culture, and music.
The evening kicked off with a nostalgic performance by Navytune [MYP], a veteran of the iconic group KGB. Midway through his set, he surprised fans by inviting his children on stage, creating a heartfelt moment as they sang together.
He was followed by TMC, formerly of the popular duo Dream Boyz, who took the audience down memory lane with a selection of their classic hits. His solo set was a reminder of the group’s lasting impact, even years after their split.
A live band then took over, setting the stage for Kevin Kade, who performed four of his trending tracks, marking his debut performance on American soil. Element followed with a powerful set of his own hits, receiving an enthusiastic response from the crowd.
In one of the night’s standout moments, Kevin Kade returned to the stage to join Element and The Ben for a joint performance of their collaboration “Sikosa.” After the energetic trio performance, Element and Kade exited the stage, leaving The Ben to take centre stage for a memorable headlining set.
Having lived in the U.S. from 2010 to 2017, The Ben’s performance was both a homecoming and a celebration. He treated fans to a mix of old favourites and newer hits, with the crowd singing along throughout.
The evening ended on an emotional note as The Ben was presented with a framed portrait of his late grandmother, who passed away last year, a touching tribute to close out a night filled with energy, unity, and musical excellence.
Held on the night of Thursday, July 3, 2025, the concert set the tone for Rwanda’s 31st Liberation Day, dubbed ‘Kwibohora31’, immersing the crowd in a blend of cultural pride, music, and modern technology.
The venue was packed to capacity, with every seat taken by fans of traditional Rwandan music and dance. Maji Maji, backed by a live band, opened the night with an energetic set, followed by the powerful rhythms and choreographed brilliance of Ishyaka ry’Intore.
The Inyamibwa troupe then took the spotlight before a collective of performers closed the show with moving renditions of wartime songs that once inspired Rwanda’s liberation fighters.
Midway through the show, the audience was caught off guard, in the best way possible. As Inyamibwa performed, the skies above Kigali lit up—not with fireworks, but with a fleet of drones spelling out words and symbols in perfect harmony.
The aerial spectacle featured glowing messages honouring President Paul Kagame, who led the liberation struggle, as well as sky-written images of the Rwandan flag and the country’s map—a powerful fusion of tradition and tech that brought the house to its feet.
This marked the first-ever edition of the ‘Urw’intwari’ concert, and organisers from Ma Africa told IGIHE the event is set to become an annual highlight on Rwanda’s entertainment calendar.
The much-anticipated project, which marks Burna Boy’s eighth studio album, is scheduled for release on July 11, 2025, and will feature 16 tracks.
Stromae, born Paul Van Haver, appears on a collaborative track with the Nigerian superstar titled “Pardon.”
The album also boasts a star-studded lineup of guest appearances. Mick Jagger, the legendary frontman of iconic rock band The Rolling Stones, joins Burna Boy on a song titled “Empty Chairs.”
American rap heavyweight Travis Scott features on the already-released single “TaTaTa,” while Shaboozey, the Nigerian-American artist making waves in the country music scene, appears on the track “Change Your Mind.” Shaboozey is currently enjoying major chart success with his hit single “Tipsy,” which remains one of the hottest songs on the Billboard Hot 100.
Following the release, Burna Boy is expected to hit the road for a global tour to promote the album.
