He is one of the most experienced producers in Kigali and is presently a renowned connoisseur of the local music industry. .IGIHE.com’s Dianah Mutimura caught up with the famous and ambitious producer popularly known as ‘JP’.
IGIHE.com : who is jp ? Could you tell us about your background ?
JP: My name is Jean Paul Gatsinda ; I was born in 1982 in Kicukiro in Kigali city. I completed my secondary education at ETO Muhima and completed my IT degree at KIST. I am the third born in a family.of six children though my parents passed away.
Why do you call yourself JP ?
JP stands for my name Jean Paul. I wanted something which could be easy for people to pronounce. When I was living in Kampala, Ugandans would fail to pronounce my name, which forced me to call myself JP from my original name.
How long have you been a music producer ?
I have been in the music industry for over ten years now ; I started in 2003 till today.
What kind of music do you produce ?
I produce different types of music, because I know how to play different instruments such as the guitar, drums, and piano. This gives me the opportunity to be able to produce any music ranging from R&B, rap, Lingala and so many others. Generally, I produce any song which comes my way.
Are you single or are you currently in a relationship ?
Yes, I am dating a special lady in my life and this year, we are getting married. I am very grateful to have her as my fiancée because she has been patient with me for over four years.
How many artists have you produced in your career both in Rwanda and abroad ? Could you name these artists ?
The list of artists I have worked with is endless, but I can try to mention a few for you. Some of the most famous ones here in Rwanda include Miss Jojo, Kitoko, Rafiki, Miss Shannel. Outside Rwanda, I have worked with Professor J and Ray C, who are both from Tanzania.
Can you tell me how it was working with Miss Jojo ?
Miss Jojo is a nice person in music and outside music. When you are doing a song with her, she’s so nice because she always wants to learn new things and listens to advice. Despite her great music career, Jojo is great person with a great sense of humour. I really love working with her.
What is considered more valuable in being a record producer, education or experience ?
Being a producer does not need education as you think because it’s a talent. But you need to always read different books about musical instruments and be updated on today’s technology.
What are the chances for advancement in the music business and within what timeframe ?
The chances are very small especially in Rwanda because the music industry here doesn’t have great resources or funding. Most of the time, producers have to sponsor themselves which hinders the advancement of our careers. Personally, this took me ten years.
When you first started out, did you always work as a producer, or did you start out as something else first ?
I started as musician in a Congolese band where I played the keyboard and the base guitar at times. From there henceforth, I worked with Makoma during their trips around Africa, and when they left, that is when I started a studio.
What would you say the job of being a record producer includes ?
The job of being a record producer needs someone with ambition, determination, an open mind and focus.
Could you give us a detailed account of your day to day activities ?
Actually, during the day, I don’t have too much to do because most musicians record their songs at night, so I can’t know my schedule because it keeps changing.
Have you ever worked with other producers ? And who would you consider leaders in the field ? And who inspired you to become a producer ?
Yes I work with other producers. I have so far worked with Steve Jean the famous producer in Uganda and in Rwanda I am working with DJ little and DJ B. in East Africa. As a leader, I would consider Steve Jean of Uganda. My inspiration comes from international producers like Stevie Wonder and Dr Dre.
How do you see the music industry in Rwanda ?
The music industry is doing very badly. Our major problem is the artists’ lack of creativity. They copy international styles of music, not their own. Am not only talking about the artists, even producers. We are not doing a very good job and that is why we are going to have a meeting with RDB to look for ways of developing our music to reach an appreciative and competitive level.
What kind of problems do you encounter in this business ?
Firstly, one of the major problems I encounter is dealing with artists who ignore their contracts after becoming famous. Many of them become a huge disappointment.
What do you think is the solution to these problems can be ?
I always give artists that fail to keep up to their contracts a second chance because life goes on and these big companies should allow us producers to advertise because we have all the capability. Why should we see sign posts which portray outside models yet we have our own models ?
Where do you see yourself in the future ?
I will be big because I have very many constructive ideas. As I am speaking to you now, I just finished a plan to open a radio station by the end of this year. I think in a few years, I am going to be really famous around East Africa.