Category: Entertainment

  • Papa Wemba: Stars remember the ‘voice of Africa

    {Music fans across Africa are mourning the death of Congolese musician Papa Wemba who died at the age of 66 after collapsing on stage on Sunday morning.}

    Stars have been paying tribute to a man whose music influenced artists across Africa.

    {{Angelique Kidjo}}

    I’m sad, and I’ve been struggling since the death of Prince and now we have the passing of Papa Wemba and I’m wondering what this is all about.

    I worked with Papa Wemba and he was a very nice, genuine soul and very shy at the same time.

    I did a duet with him, Ami Oh, on a Manu Dibango album, and when you heard him sing it was magical that a guy who was that big had such an angelic voice.

    He was a generous soul when it came to helping people, and he didn’t say much, but he observed a lot and when he spoke in that gentle voice everything he said was right on the spot.

    His whole attitude about dressing well was part of the narrative that we Africans have been denied our humanity for so long.

    People have always had stereotypes about us, and he was saying dressing well is not just a matter of money, not just something for Westerners, but that we Africans also have elegance. It was all about defining ourselves and refusing to be stripped of our humanity.

    {{Manu Dibango}}

    Africa has lost another worthy son in the shape of Papa Wemba. It’s a painful beginning to 2016.

    He was the voice of Africa.

    We are all orphans… May the heaven and the spirits welcome him in peace. Papa Wemba will remain forever in our hearts.

    {{Koffi Olomide}}

    It’s a catastrophe. Congolese music has been decimated, it’s been blown apart. I don’t know what to say.

    I refused to believe it when the Ivory Coast government official told me. To be honest, from now on, life means nothing, we are nothing.

    Today, with God’s forgiveness, I want to ask Him to accept Papa Wemba. He is His son.

    I don’t know what to say. I want to give my condolences to all Congolese people and all Africans.

    {{Femi Kuti}}

    I was quite shocked because we were just getting over Prince’s death and then hearing this it was sad.

    He was performing in a period of people like my father Fela Kuti, Miriam Makeba, Hugh Masakela, Manu Dibango – the African greats who have always opened doors for people like me.

    They have always done Africa proud anywhere in Europe and America where they performed, and they opened doors for African musicians to tour Europe with great pride and respect.

    Especially when you are playing African music in Europe and America, Papa Wemba’s name will be in the forefront of great names.

    It’s a name that was always there and will always be there. It’s not a name that will go away any time soon.

    {{King Kikii}}

    It was such a shock when I received the news it was something I didn’t see coming.

    He was one of the people whose stars shone so brightly. I tried to innovate through my music and Papa Wemba innovated though his.

    He had so much love for it. He’s helped so many people through his music and lifted them up.

    We won’t be able to forget him, the death of Papa Wemba is a huge blow.
    {{
    Samuel Eto’o}}

    What a sad way to start the day by learning of the passing of this monument of Africa.

    We got chills listening to Wake Up, Okoningana, Ye Te – to name a few.

    I’m all the more affected by this sad event as I’m a big fan of Congolese music.

    Papa Wemba so loved his music that he left while performing.

  • Papa Wemba: ‘King of Congo rumba’ dies after collapsing on stage

    {Papa Wemba, one of Africa’s greatest music stars, has died after collapsing on stage during a festival in Ivory Coast.}

    The Congolese world music legend, renowned as the “king of Congolese rumba” for the fusion of Cuban and electronic rock that he pioneered in the 1970s, was 66.

    He died after falling ill during a set at the Urban Musical Festival Anoumabo (FEMUA) in Abidjan, the first major cultural event in the country since a jihadist attack on a beach resort last month.

    Video footage broadcast live on television showed the dramatic moment that Papa Wemba — wearing a bold black and white patterned tunic and oversized bowler hat — slumped to the floor behind a group of dancers, before performers rushed to his aid.

    FEMUA organisers expressed “deep sorrow” at the death of a man who has been at the forefront of African music for more than four decades.

    “Papa Wemba wanted to die on stage, that’s what he told me two weeks ago when I spoke to him on the phone,” said festival promoter and singer Salif Traore, known as A’Salfo.

    YOUTUBE: Papa Wemba released ‘Nandimi’ in 2015.
    A’Salfo, lead singer with the Ivorian group Magic System, said he understood Papa Wemba died on the way to hospital and that a journalist who interviewed him earlier in the day had noticed that he appeared unwell.

    “[The journalist] told me that Papa Wemba was showing signs of fatigue. He was drinking water between every sentence,” A’Salfo said.

    The festival was held just over a month after the Islamist attack on the beach resort of Grand-Bassam on March 13 that left 19 people dead.
    Papa Wemba’s death ‘great loss for music’

    Papa Wemba was born Jules Shungu Wembadio Pene Kikumba in June 1949 in what was then Belgian Congo, now the Democratic Republic of Congo.

    He won international acclaim when the fashion for African and world music took hold in Europe and the United States in the 1980s, and recorded with British rock star Peter Gabriel.

    The Democratic Republic of Congo’s Culture Minister, Banza Mukalay, described Wemba as an “icon”.

    “He was an artist of talent … it’s a great loss for music,” he said.

    Mr Mukalay added that the singer’s body would be brought back from the Ivory Coast to his homeland.

    “We are not going to let him rest there for eternity. He will be buried here in the DRC.”

     Papa Wemba was performing at Urban Musical Festival Anoumabo when he fell ill.
  • Rwanda artistes sound anti-genocide drums

    {7th April, brings back the 1994 dark moments that won’t leave Rwandans’ memories and world history, a period engulfed with darkness as sporadic killings were ignited, fuelled and spread across the country where more than 1,000,000 Tutsi, innocent victims were killed during one hundred days, a period considered as dooms-days of hunting the Tutsi with a lyrical bent of exterminating them from the surface of Rwanda; accusing them of the crime of being Tutsi.}

    Thousands of people killed during the genocide that lasted 100 days included musicians, some of who were betrayed by fellow artistes while others were tortured to death accused of being spies of RPF Inkotanyi soldiers who fought to liberate the country in which the blood of innocent victims was flowing.

    During the genocide, some Rwandan musicians mobilized citizens to kill others. The story is different today. Rwanda artistes are today committed towards inclusive progress of Rwandans.

    Throughout messages Rwandan artistes have conveyed to Rwandans during the 22nd commemoration of genocide against Tutsi they have compared Rwanda in April 1994 and current Rwanda casting unity and progress for its citizens.

    Artistes who talked to IGIHE have in general called on all Rwandans across the World to be agents of unity and called upon the youth to be the first in the drive of building the nation and sustaining attained achievements.

    {{Senderi International Hit}}

    Senderi was a young teen during the genocide. He says a reflection on how Tutsi in Nyarubuye, her birth place, were killed and tortured brings back horror and regret.

    “I witnessed genocide as it happened. I was 16 years old and I had only completed primary school. For me it looked like the end of the World. I saw aggravated killings in Nyarubuye which I perceived as doom of the World,” he said.

    To be part of the solution of stopping genocide, Senderi decided to join Inkotanyi. His decision was informed by what he had seen when soldiers of ex-president Habyarimana Juvenal were trained in Akagera National Park to kill Tutsi without mercy.

    “That time I was confused. I would see young men from Kigali, Butare and Rwamagana who were accommodated at our home overnight and disappeared the next day. When I asked what happened at home, they explained that they had gone to join Inkotanyi. The time came when I also joined Inkotanyi to fight against Habyarimana’s soldiers who were trained in Akagera and attacked our homes,” he said.

    Today, he says, Rwanda is a resurrected country and developed. “Within a short time after genocide, you can see that we have taken giant strides into the direction of development.

    {{Aline Gahongayire}}

    Aline Gahongayire was 7 years old during the genocide. Even though she was a child, she remembers that Tutsi children were seriously beaten and gradually persecuted where she studied at APAPER School.

    “We would see barriers wherever we passed through going to school. Even though I was a little kid I remember that they used to ask us to stand up. They would ask Tutsi to stand in front and Hutu on the other side but they didn’t speak about Twa,” she said.

    Gahongayire would ask parents what she has to respond when asked his race.
    “Once my mum asked me to tell them that I am Rwandan. Really there was no freedom that time, no happiness since we only lived in persecution. My little mind was confused with such a situation,” she said.

    Gahongayire lauds the country’s attained steps towards resilience.

    “I can say that God is present in Rwanda. The country has attained tremendous development which is a lesson for foreign countries,” she said.

    {{Mico The Best}}

    Mico The Best was born in Nyakizu. He was 7 years old at the time of the genocide studying in primary one in Mburabuturo which was in Gikondo district.

    “I was studying in Mburabuturo during the genocide. Though I was a child I didn’t see any development .Kigali city was embroiled in chaos and insecurity. Those who had money would not sleep,” he said.

    He says Rwanda of today is a paradise based on what has been achieved so far after stopping genocide.

    “ Rwanda has progressed and Rwandans are involved in the development. This demonstrates that Rwanda has brighter days ahead,”

    {{Platini}}

    Platini was born in Bukavu in DRC. Genocide took place when he was not in Rwanda. He however says that he used to hear that there are atrocities in Rwanda.

    “At the time of the genocide I was 6 years old, living in DRC. We received information about killings in Rwanda where we lived in Bukavu. It was cruelty which I saw with my own eyes when we returned to Rwanda,” he said.

    This artiste from Dream Boyz says that Rwanda has progressed in music industry.

    “There are apparent infrastructures demonstrating where we are from and heading for. Such infrastructures also demonstrate a growing economy. Another most important thing to note is that genocide survivors are becoming resilient and not sunk into sorrow,” he added.

    {{Ama-G The Black}}

    Ama-G The Black was a child of 3 years old but his parents told him about the history the country passed through.

    Ama-G The Black attests that the country has realized commendable progress.

    “I can only see development. Based on problems the country experienced I voice my appreciation to the leadership of this country. The country has vivid progress, roads and buildings. We have left the obscure past, marching into progress.” he said.

    {{Makanyaga}}

    Makanyaga narrates genocide happenings as he saw them since he was living in Kigali where intensive killings took place. He affirms that many musicians participated in genocide adding that some of them betrayed fellow artistes to be killed.

    “I was in Kigali when genocide took place. I was living in Gikondo at the time. It was horrific times. No one thought Rwanda could rise again. Some artistes were killed while others participated in genocide,” he said.

    “At that time, some of us suspended music since our colleagues had been jailed. Aaron Nitunga and Kipeti were jailed during the period, accused of spying. Since then many artistes rejected music career,” he added.

    He lauds citizens’ unity and RPF soldiers for stopping genocide.

    “The situation has now changed. People live in harmony and unity without suspicion among themselves,” he said.

    {{Jules Sentore}}

    I was living in Burundi where I was born. Even though I didn’t witness when the tragedy befell my country, I was seriously affected. We returned to Rwanda in 1995 but I saw that things were not normal as the country was struggling for reconstruction,” he said.

    “Currently the country has attained inclusive progress; infrastructures, security and living without discrimination which is different from the past,” added Jules Sentore.

    {{Jolie Murenzi}}

    At the beginning of genocide on April 7th, 1994, Jolie Murenzi was in Hamburg in German and was 22 years old. Explaining how she remembers those dark days she says: “I returned home that day and I watched television news with reports showing that things were falling apart in Rwanda. I started calling home in Gikondo via fixed lines wanting to know the situation of my parents but no one responded to my call.”

    “Thereafter, my cousin living in Belgium informed me that my dad had been killed at the beginning of genocide. On April 8th around 5:00 pm I called home again; with much chagrin and horror uneasy to explain, I talked to my mum who was alive. It was the last time I talked to her since I later knew he was soon killed with my two young sisters,” added Jolie Murenzi.

    Jolie Murenzi with a film producer

    Jolie Murenzi didn’t accept that information that her family had been killed till she saw evidence that they are no longer alive. She then went in German to join other Rwandans to talk to them about her tragedy.

    “Since then I decided to break any relationship with Rwanda and Africa. In 1997 I returned to Rwanda and decided to live in Goma since I still felt shocked. I returned to live in Rwanda in 1999 but I was really healed in 2011. I started the way toward forgiveness in this year and started talking to people who live in Rwanda during genocide who would save my family but did nothing. I have forgiven them but I won’t forget,” she said.

    Jolie Murenzi, one of influential women in cinema says that there is a hope for tomorrow’s Rwanda.

    “After bad moments we passed through, there is a hope for a bright future. When you compare the past and present, you can realize that our children will live in better conditions, free of tragedies we experienced. The way towards unity and reconciliation must be supported with telling the truth,” she said.

    After the genocide against Tutsi in 1994, people could not expect country’s artistes to progress as seen today. The music industry throughout the 22 years has made a step which is promising vitality.

  • Pop icon Prince dies aged 57

    {Prince, one of the most influential but elusive figures in music, found dead at his Minnesota home, publicist confirms.}

    Pop icon Prince, widely acclaimed as one of the most inventive musicians of his era, was found dead at his home on Thursday in suburban Minneapolis, according to his publicist. He was 57.

    A local sheriff said that police deputies called to Prince’s studio found the superstar unresponsive in an elevator at his home. Attempts to resuscitate the singer filed, the sheriff told the Associated Press news agency.

    Prince’s publicist, Yvette Noel-Schure, confirmed that the singer had died at his home studio in Chanhassen.

    The Minneapolis native broke through in the late 1970s with the hits “Why You Wanna Treat Me So Bad?” and “I Wanna Be Your Lover,” and soared over the following decade with such albums as “1999” and “Purple Rain”.

    His other major successes included hits such as “Little Red Corvette,” “Let’s Go Crazy” and “When Doves Cry”.

    The title song from “1999” includes one of the most widely quoted refrains of popular culture: “Tonight I’m gonna party like it’s 1999.”

    The man born Prince Rogers Nelson stood just 1,57m and seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material.

    Among his other notable releases: “Sign O’ the Times,” “Graffiti Bridge” and “The Black Album.”

    Fiercely independent

    He was also fiercely protective of his independence, battling his record company over control of his material and even his name.

    Prince once wrote “slave” on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.

    “What’s happening now is the position that I’ve always wanted to be in,” Prince told The Associated Press in 2014. “I was just trying to get here.”

    In 2004, Prince was inducted into the Rock and Roll of Fame, which hailed him as a musical and social trailblazer.

    “He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties,” reads the Hall’s dedication.

    “Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative.”

    A small group of fans quickly gathered in the rain on Thursday outside his music studio, Paisley Park, where Prince’s gold records are on the walls and the purple motorcycle he rode in his 1984 breakout movie, “Purple Rain,” is on display.

    The white building surrounded by a fence is about 30km southwest of Minneapolis.

    Steven Scott, 32, of Eden Prairie, said he was at Paisley Park last Saturday for Prince’s dance party. He called Prince “a beautiful person” whose message was that people should love one another.

    “He brought people together for the right reasons,” Scott said.

  • Sudan’s top girl band eyes world tour 45 years on

    {Sisters Amal, Hadia and Hayat Talsam were known in their 1970s heydey as the “Sudanese Supremes.}

    Stepping onto a Khartoum stage and launching into their first song, The Nightingales — Sudan’s best-loved girl band — still raise whoops and cheers from adoring fans, 45 years after their debut.

    Sisters Amal, Hadia and Hayat Talsam were known in their 1970s heydey as the “Sudanese Supremes” for their stylish bobs, matching dresses and their soulful ballads, changing the image of female artists in Sudan forever.

    Their outfits may have changed a little — at the January concert in Khartoum, the sisters appeared in long robes and loose headscarves — but the audience’s adoration has only increased, with fans dancing and singing in front of the stage.

    Their vintage brand of Sudanese pop, songs of longing and youth blending elements of folk music with their driving vocals aim to show the world another side to Sudan.

    “We want to travel the globe and offer our art to all the peoples of the world,” Amal said after the concert at the family home, sitting beside her sisters.

    “We could show a beautiful side of Sudan to the outside world” said Hadia, the oldest of the sisters, grinning.

    Although they haven’t got round to planning their tour, they do have some prior experience.

    {{VIBRANT PERIOD}}

    The Nightingales were formed in 1971, when a family friend came to their home in Omdurman, Khartoum’s twin city, to ask their father if he could pick three of his seven daughters to perform a song he wrote.

    The trio performed so well that they made the arrangement permanent and they were picked to tour Sudan with president Jafer al-Nimeiri, a socialist-leaning army officer who seized power in 1969.

    “It was a very, very vibrant period for culture and art,” said Hayat, the quietest of the sisters.

    Amal said she was 15, Hadia 17 and Hayat just 13 years old when they started touring, building a region-wide fan base.

    But in socially conservative 1970s Sudan, not everyone was pleased at the three young women travelling unaccompanied and singing and dancing in front of crowds.

    But the sisters won acceptance by force of character and with support from their family.

    “The Nightingales changed the way people looked at female artists in Sudan,” said Hadia.

    The group did nothing to change their looks and even appeared on the state broadcaster performing their songs.

    Other female artists had preceded them but their music had been more traditional.

    Neighbours, friends and even some relatives criticised their father for their on-stage and television appearances as their fame grew.

    “Our father wasn’t interested in any of that and he used to encourage us a lot,” Hadia said proudly.

    “We were able to stand firm and fight back against people who were against us and our progress and our presence on stage proved that there was nothing wrong with it,” Amal added.

    By the 1980s, the group had cemented their reputation as one of the country’s best loved groups … but Sudan itself was changing.

    Nimeiri grew increasingly paranoid and repressive toward the end of his 16-year reign, declaring sharia Islamic law in 1983 and igniting another civil war with southern rebels.

    {{‘BETTER THAN THE SUPREMES’}}

    The Nightingales kept playing but in 1988, with all three married and other commitments, they played their final concert in Khartoum.

    Amal and Hadia left for the Gulf with their families, before moving to the US, while Hayat stayed in Khartoum.

    The next year, now-president Omar al-Bashir seized power in an Islamist-backed coup and his military authorities imposed a curfew that lasted for years, putting limits on musical performances.

    But in 2007, Hadia and Amal performed in New York’s Central Park at a festival of Sudanese music and people urged them to return to Sudan for a full reunion.

    Apprehensively, Hadia and Amal returned the next year and organised a concert with Hayat at the officers’ club in central Khartoum, unsure whether their fans would remember them after 20 years.

    When they arrived, the streets were jammed with expectant fans.

    “The only thing that changed was they liked it much more and it was a huge success,” Amal said.

    Now, the Nightingales tour Sudan when they are all in the country together, drawing hundreds of spectators of all ages to their shows across Khartoum.

    They have lost none of their glamour, singing in matching outfits, with performances punctuated by mid-set costume changes —and a quick cigarette break.

    Amal, Hadia and Hayat are confident they can win more fans abroad and are keen to arrange their tour.

    And would the comparison with the Supremes help draw foreign crowds in?

    “Honey, we’re better than the Supremes,” Amal shot back in American-accented English. “We came to their country, but they never came here”.

    The Nightingales — Sudan's best-loved girl band — perform at a concert in the capital, Khartoum, on April 29, 2016. Stepping onto a Khartoum stage and launching into their first song, The Nightingales still raise whoops and cheers from adoring fans, 45 years after their debut.
  • Kitoko releases clips featuring Uganda’s Sheebah

    {Kitoko Bibarwa, a Rwanda artiste living in England has released clip of the song ‘Am in Love’ he produced with a popular Ugandan female musician, Sheebah Karungi.
    The song in which Kitoko featured with Sheebah Karungi was produced when Kitoko went to Kampala recently for private businesses.}

    “I went in Uganda secretly over various deals but all activities were job related .I produced a song with Sheebah and I have a plan to collaborate with others. You will know much more about such deals as time evolves,” he said.

    Kitoko has popular ballades in Rwanda including “Urankunda Bikandenga” and “Sibyo” he produced featuring another Rwandan artiste, Meddy.

    Kitoko has told IGIHE that after releasing the song with Sheebah Karungi, he plans more projects of producing songs and concerts expected to be held out of England.

  • Rwanda& Juliet film awarded in America

    {For centuries, people have been watching the Shakespeare play Romeo and Juliet and pondering its message about people who can’t get along.}

    One place in the world where the play resonates is Rwanda, a country where two decades ago Hutus attacked Tutsis and more than million people died in a genocide.

    Halifax filmmaker Ben Proudfoot heard about an effort to have Romeo and Juliet performed in Rwanda with an all-Rwandan cast and he knew it was the perfect story for a documentary.

    Apparently, many others agree. His documentary Rwanda & Juliet recently won best documentary at the 16th annual Phoenix Film Festival. It also won the Sidney K. Shapiro Foundation Humanitarian Award.

    The film tells the story of retired Dartmouth University professor emeritus, Andrew Garrod, and his trip to Kigali where he mounted a production of the Shakespearean classic with actors who are descendants of the Hutu and Tutsi.

    Garrod hoped that performing Shakespeare’s tragedy would foster reconciliation, but it didn’t quite go that way.

    “Just like me, I think Andrew thought that this would just be this amazing thing where he would take the play and everyone would be reconciled and it would all be a beautiful experiment showing the power of Shakespeare,” Proudfoot told CBC’s Mainstreet from Los Angeles.

    However, things were much more complicated.

    “The orphans who he cast in the play had different ideas about whether or not he had any right to bring Shakespeare to Rwanda,” said Proudfoot.

    Proudfoot says Garrod hoped he would be welcomed as a hero in Kigali — the capital of Rwanda — but the people there had their attention focused on other things.

    “They have other worries, like paying their bills and stuff like that. Many of them think that Rwanda is reconciled already,” he said.

    ‘No discernible tension or conflict’

    Proudfoot says the words Hutu and Tutsi are now banned in Rwanda.

    “There is no discernible tension or conflict between people of different backgrounds in Rwanda. But I think — and as you’ll see in the movie — it’s very difficult to live without accepting what happened,” he said.

    Proudfoot says the documentary looks at how people are trying to move on from Rwanda’s “horrific past and people are trying to move on and create new lives and a new story with a new generation coming up in Rwanda.”

    The film shows the eight weeks when the play is being rehearsed, but also includes the country’s backstory.

    “My hope was that people who might go home at the end of the day and not want to watch a movie about the Rwandan genocide might go home and watch an inspiring film about kids putting on a play and through that, learn a thing or two about the genocide,” said Proudfoot.

    He says the film will air this summer on the CBC’s Documentary Channel. He also hopes it will be screened at film festivals over the next several months and perhaps be used in classrooms as an educational tool.

  • Combat genocide denial—Kitoko

    {A Rwandan artist, Kitoko Bibarwa who is currently in England has joined Rwandans to commemorate the 22nd anniversary of 1994 genocide against Tutsi and urged Rwandans to join efforts in combating trivializing of genocide.}

    Talking to IGIHE, Kitoko said that he has joined Rwandans and appealed to them to avoid any attempt on acts that may lead to reoccurrence of 1994 tragedy.

    “Rwanda passed through tragic history as result of hatred, lacking unity, misunderstanding and racial discrimination. Wounds will be healed by Rwandans promoting peace, love and unity leading to development,” he said.

    “Especially, I wish the Diaspora join hands to tell the truth of our history till those who demean genocide are defeated,” he said.

    He appreciated bravery demonstrated by survivors of genocide who have gone through hard times until they picked the pieces as they walked into a new life.

    “I congratulate genocide survivors for their bravery; they have survived hunger, accepted and went through situations as orphans and other physical injuries including getting crippled during the mayhem. Keep up bravery spirit ,”he said.

    A Rwandan artist, Kitoko Bibarwa
  • Washington-based Radio Isoko to broadcast commemoration activities

    {Radio Isoko owned by MC Murenzi in United States has hatched a platform of facilitating Rwandan Diaspora to follow activities of 22nd commemoration of genocide perpetrated against Tutsi.}

    Murenzi said that during the first week of the 100 days of commemoration period, he will help Rwandan Diaspora to know organized activities in countries where they live.

    “Connecting Rwandans with what is taking place in the native country is one among objectives that pushed me to launch this radio especially during this commemoration period. This will help them to participate in commemoration since they would not participate in past over lacking information about how commemorations are organized in host countries,” he said.

    “They will be facilitated during this commemoration since we will air different commemoration events from around the World,” he said.

    Isoko Radio was launched recently and is accessible on TuneIn and its website radioisoko.com.

    Today on April 7th 2016, Radio Isoko will air the ceremony of commemorating genocide held in Washington DC.

    He added that people from various countries are welcomed to bring announcements of organized activities during this commemoration period.

    MC Murenzi
  • Meet DRC’s self-taught symphony orchestra

    {Founder says more Congolese attend concerts now compared with 10 years ago when audiences were dominated by expats.}

    Kinshasa – The self-taught Kimbanguiste symphony orchestra, the only one of its kind in Central Africa, provides an important lifeline for a poor community here in the capital of the Democratic Republic of Congo (DRC).

    In the Ngiri Ngiri neighbourhood of Kinshasa, most of the symphony orchestra’s musicians have no steady income.

    During the day, they do whatever they must for their daily hustle.

    Armand Diangienda, a former commercial pilot, created the orchestra back in 1992. Then, he had only three instruments and space to rehearse in his father’s church.

    “Things have changed. We’re not where we were 10 years ago when only expatriates came for our concerts. Now we’re seeing more Congolese coming. But there’s still much to do,” he told Al Jazeera.

    Landu Diangienda, one of the children who performs with the group, dreams of one day composing and conducting his own music.

    “I loved classical music when I saw the adults playing it,” he said. “I want to be able to teach music not just here in DRC, but also in other countries”