Category: Arts & Culture

  • Co-working space: A new approach helping start-ups develop

    Imagine We, a local social enterprise, recently opened a co-working space that has so far brought together six start-ups in one setting to share experiences and keep all afloat.

    Located near Kacyiru Sector office in Kigali, the space dubbed “Imagine Nation” seeks to help small and medium enterprises overcome challenges that fail them in the first three years of operation.

    The five companies in Imagine We’s co-working space laud the new working approach and urge other start-ups to emulate the model.

    The five include; Acacia Book Café which sells gift items in a coffee shop setting; Bag Innovation, founded by a Swedish national who prepares university students into becoming consultants; Elcon Media which deals in producing documentaries and animation; Ikobe Communications focusing on storytelling and Awesomity Lab which creates websites, software and applications.

    Speaking to IGIHE last Friday, Imagine We’s founder Dominique Uwase Alonga said she realised the need for facilitating start-ups to grow and opened doors for them in June, considering that she had a very big space at her premises.

    “It is about two months since we opened this co-working space but I have realised that such space is highly needed because I had received five new entrants within the first month while I expected to receive the first company at least after six months. We are now six companies in these premises,” she said.

    Companies in the space are gaining clients from one another because visitors to one take a tour all around, sharing experiences, helping one another with skills and equipments as well as a significant reduction on operational costs mainly on house rent and utilities.

    Each company pays a monthly rent of between $50 (around Rwf41,000) and $200 (Rwf165,000) depending on the size of the room a company needs.

    “Starting companies often suffer from financial constraints, lack of clients and partners, and limited capacity in institution management especially because we are all young. All managers of these six companies are aged less than 30 years. Working together has got us solutions to most of these challenges,” says Alonga.

    She added that the space is temporarily closed in order to harmonise the co-working conditions and build up firm systems before receiving new entrants in the next two months

    The six companies in ‘Imagine Nation’ space have started a joint radio talk show project on how to start a company in Rwanda and it is being executed by Elcon Media, one among the six.

    Yvès Honoré Bisemage, one of Awesomity Lab founders said their operational costs have reduced and clients doubled since they joined the co-working space last month.

    Natasha Umutoni, a founding member of Acacia Book Café said they have also gained clients and operational costs reduced up to 30% since June when they got into Imagine We’s Imagine Nation.

    Alonga advises young entrepreneurs to get together, avoid expensive offices and equipments in order to first develop themselves instead of trying to look bigger than they really are.

    Having opened in January 2015 with the aim of encouraging Rwandans to read and write, Imagine We has reached out to 6000 people, opened libraries in 20 schools and University Teaching Hospital of Kigali (CHUK), trained many language teachers and published two books. It is publishing three more books and opening libraries in three hospitals including CHUB in this August.

    Bag Innovation, which helps young people to become consultants, is in the Imagine Nation co-working spaceDominique Uwase Alonga, founder of Imagine we advises young entrepreneurs to get together in orderto resist challenges facing start-upsSome of the founders of Awesomity Lab at workSome of employees of Imagine We at workNatasha Umutoni, a founding member of Acacia Book Cafe, testifies of the benefits of working together with Working space created by Imagine WeYvès Honoré Bisemage, a founding member of awesomity lab which working from imagine nation a co-working space which brings together six companiesDominique Uwase Alonga, founder of Imagine We which created a co-working space named Imagine Nation

  • Cultural nourishment as Inganzo Arts stages art exhibition, poetry

    A couple of artists, as well as poets, are preparing this event dubbed “Ubugeni Bugema Umugani”. They’ve had in mind for a while to showcase their art pieces. They also have a plan to strengthen the art of Rwanda proverbs.

    The artists portraying their pieces will consist of Uwase Crista, Epa Binamungu and the renowned poet Jean de Dieu Nsanzabera.

    During a discussion held with the media recently, Epa Binamungu, founder of Inganzo Arts Center revealed the event will be mainly to display the culture and mostly to bring back the practice of Rwandan poetry.

    Those who will attend the exhibition will admire the work of distinctive artists, purposely painted to flourish Rwandan traditional culture and transmit this to the youth, especially the exquisite practice of proverbs that has been forgotten by many over the years.

    “As we know, many people forgot some of what makes our traditional culture such as the reciting of proverbs mostly among the youth.”

  • ‘The Birds Are Singing In Kigali’, a cinematographic portrayal of the tragic 1994 genocide.

    Dealing with the aftermath of the Rwandan genocide in 1994 and inherent topics of trauma, racism and the treatment of women, Birds are singing in Kigali, is a a raw retelling but ultimately hopeful film about the extremes of human nature.

    Directed by wife-and-husband duo Joanna Kos-Krauze and Krzystof Krauze – whose previous films together include 2013’s Papusza – the film will have its world premiere in Karlovy Vary’s Official Competition where Kryzstof Krauze won a Crystal Globe in 2004 for the film My Nikifor. It’s a bittersweet affair as Krauze passed away from cancer in 2014, leaving his wife to complete the film.

    The stand-out is Rwandan actress Elaine Umuhire whose combination of quiet dignity and fierce anger, mesmerize the audience.

    This powerful piece provides a fitting tribute to the late film-maker and should find many new admirers of his work with Joanna. Further festival showings seem assured, while there is every chance that arthouse distributors will circle a film which deals with issues that should resonate with international audiences.

    In 1994, Polish ornithologist Anna (Jowita Budnik) finds herself caught up in the Rwandan genocide. There she witnesses terrible atrocities – including the murder of a Rwandan colleague with whom she had been working for years. Smuggling his daughter Claudine (Eliane Umuhire) out of the country, Anna carries deep emotional scars from the trauma she has witnessed. But the presence of Claudine makes leaving these memories behind a difficult process. As time goes on, Claudine tries to assimilate in Poland but the desire to return to her home country and achieve closure on the deaths of family and friends remains strong. When the opportunity to return to Rwanda arises, both must be ready to face the terrible truths of the past.

    Utilising a flashback structure, the film flits between the naturalistic and the surreal as snatches of brutality surface like nightmares. Yet for all the rawness at the heart of the film, there are moments of transcendence – such as a flock of birds flying into dappled, sunset skies – reminding us that amongst the ugliness there is always a possibility of beauty.

    But while the film deals with many themes – racism and immigration are also touched upon – it never feels disjointed thanks to the way the screenplay filters everything through Anna and Claudine’s fractured relationship. While this was born from the best intentions of humanity – to save another person’s life – it is also typified by anger and recrimination, with their relationship reminding one another of the terrible things both have suffered.

    Jowita Budnik – a frequent collaborator of the Krauzes – gives a brittle and subtle performance as Anna, with emotions bubbling under the surface ready to explode at any moment. But the stand-out is Rwandan actress Umuhire whose combination of quiet dignity and fierce anger is mesmerising.
    With the whole team of 'Birds are singing in Kigali', at the Karlovy Vary Film Festival,Film Director, Joanna Kos-Krauze with Art director ; Jolie Murenzi, and  the main actress, Eliane Umuhireere-2.jpgeer-9.jpg

  • How about Made In Rwanda sandals for the summer?

    Nothing gives comfort and completes that sunshine feeling quite like sandals. From gladiator styles and studded sandals, jelly sandals to beach-ready flats and flip-flops, we all love shoes. UZURI K&Y has all a woman needsto put the bling in rambling.
    You will like the flip-flops begging to be taken out of your bag and the flat sandals you slip on for a stroll down the boardwalk and you will love the lace-up sandals from the moment you put them on and the block heels you wear for girls’ night out.

    The gladiator sandals that make you stand out and the black sandals that match everything in your wardrobe and the wedges give every outfit a little extra boost and the sliders you wear when you just want to kick back.

    When the weather gets warm and your social calendar starts filling up, it’s time to update your summer wardrobe with cute shoes for the season. Uzuri K&Y carries all of the cute, affordable sandals that you could ever want for the summer season, from boho-inspired gladiator sandals to classic slides that will take you from the pool to a night out with the girls and with the friendly price we believe that you’ll have some extra cash to get a pedicure to complete the look.

    And for the summer why not try out the yellow mellow sandals which will give you that classy look that’s perfect with a sundress, while shimmery metallic sandals add a touch of glam that can even go from day to night. And if you’re a minimalist, you might also love UZURI K&Y’s slide sandals to wear with your favorite high-waisted shorts or T-shirt dress.

    Looking for a way to add boho style to your summer wardrobe? Gladiator sandals are just the way to go. Take them on a road trip or toss them in your bag for an upcoming music event, because these go-everywhere sandals are the perfect shoes to add a touch of bohemian flair to those cut-off shorts or maxi dress.

    If you want wear your strappy sandals for a hot date or all of those summer parties on the pool or at Lake Kivu, UZURI K&Y also carries sandals that will elongate your legs and bring a breezy summer style to your favorite outfit. Flip-flop sandals are the perfect blend of casual and dressy, while UZURI K&Y sandals are made from the Kente Cloth, they are married with a gitenge touch and floral prints to add a pop of color and texture that looks straight off the runway.

    So dear ladies why not refresh your summer sandal wardrobe now by adding a bit of comfort to a glamorous ‘on-your-feet-all-day’ style, try some from UZURI K&Y sandals.
    UZURI K&Y is 5 years old brand located in Gahanga SMEs industrial Zone. You can shop at their store in Kigali heights 1st floor (open every day from 9 am to 9pm) and at the Kigali International Airport (open 24h/7). For the time to come, your shopping experience will be enhanced with UZURI K&Y introduction to online shopping.
    Uzuri K&Y has sandals of different types that fit well with any person's wishesUzuri K&Y sandals are made in Rwanda using local materialsUzuri K&Y sandals are in different types that fit for all parties or just to relax inUzuri K&Y makes unique sandals that fit for different occassions.Uzuri K&Y has all females need for sandalsUzuri K&Y has colourful and affordable sandals

  • ICOM DAY: It’s not yet over with Rwanda Museums

    Created in 1946 by and for museum experts from 136 countries and territories, the International Council of Museums (ICOM) was established to respond to the challenges museums face worldwide. Fighting illicit traffic of objects, art and cultural mediation, museum emergency program, intangible heritage and cultural tourism, became a core concern at the time.

    Crusade for museums; Before officially creating IMD (International Museums Day), ICOM gathered the international community, in 1951, for a meeting called; Crusade for museums, to discuss the theme, “Museums and education”. The idea of IMD came to be inspired by then, by the framework for museums accessibility developed at the meeting.

    The 1977 revolution; IMD was officially established in 1977 with the adoption of a revolution during ICOM general assembly in Moscow, Russia to create an annual event “with the aim of further unifying the creative aspirations and efforts of museums and drawing the attention of the world public to their activity”.

    Every year since 1977, IMD is organized worldwide around May 18th. This day is an occasion to raise awareness on how important museums are in the development of society. The activities to mark the celebrations can last a day, a week, or even a month. Participation in IMD has grown and still growing among museums over the world. In 2015/16, more than 35000 museums participated in the event in some 145 countries.

    2017, under the theme, “Museums and contested histories: saying the unspeakable in museums” has caught the attention of many countries than ever before. On this day, participating museums around the world planned creative events and activities related to the above theme, engaged with the public their public and highlighted the importance of the role of museums as institutions that serve society and development.

    Lessons from the theme

    History is vital in defining a given people’s identity, and each one of us is defined through important and fundamental historic events. Unfortunately, contested histories are isolated traumatic events, these histories that are often little known or misunderstood resonate universally, as they concern and affect us all.

    Museum collections offer reflections of memories and representations of history. IMD is therefore to provide an opportunity to show how museums display and depict memories to encourage visitors to think beyond their own individual experiences. By focusing on the role of museums as hubs for promoting peaceful relationship between people, this year’s theme highlights how the acceptance of a contested history is the first step in envisioning a shared future under the banner of reconciliation. Museums are important means of cultural exchanges, enrichment of cultures and development of mutual understanding, co-operation and peace among people.

    Rwanda museums & IMD: a week to be remembered

    The Institute of National Museums of Rwanda (INMR), under the theme, “Umuco wacu Inkingiy’Ubunyarwanda” (Our culture, Rwandan identity), joined the rest of the world in celebrating IMD. The activities started with open door day, on 18th/ May, where the general public was invited, free of charge, to visit all museum branches in the country. The event was a success, to the tune that saw many schools and the local communities around visit nearby museums in large numbers (4,231) tentatively.

    The second activity to commemorate IMD was held on 20th/May/2017. The competitions that were organized between different schools in Nyanza at the National Art Gallery (NAG) were exciting, challenging, and worth it. The judges for the day were left mesmerized by the outstanding performances exhibited by students. The results for the winners were held up until 26th/5/2017, when IMD will be celebrated officially in Rwanda/Nyanza district.

    This week on 25th/May, 2017, is yet another activity that will involve INMR in partnership with media houses in Rwanda, touring the National Liberation Museum Park in Gicumbi, Nyanza, and Huye museums as well.

    To sum up the D-day celebrations, IMD will be hosted at the National Art Gallery (NAG) in Nyanza. The day will be blessed by the carnival walk around Nyanza town up to the museum. More cultural entertainments and performances will be exhibited.

    Rwanda National Museum

    By David Nkusi

    The author is a Cultural Heritage Analyst/ Philosophical studies expert
    nkusidavid@rocketmail.com

  • Cultural village where poachers turned into conservationists

    The village comprises of traditional buildings made of thatched cottages and bamboo replicating the style of buildings in ancient Rwanda.

    Inside the buildings are displayed various Rwanda cultural and historical vestiges, symbols reserved for tourists so they can have a glimpse of what the ancient Rwanda experienced.

    The lined small buildings are segmented in categories where some buildings are reserved to represent particular cultural trends. Some include traditional tools used by smiths, a milk yard, a rock upon which sorghum grains would be ground into flour known as ‘urusyo’ while other buildings are reserved for exhibitions of how local banana brew known as ‘urwagwa’ was produced using a boat , and display of traditional medicine used in Rwanda during the reign of kings.

    The village also has a house reflecting the situation at king’s palace, traditional lodges where troops gather for cultural performances as it happened during the reign of kings in Rwanda.

    At the entrance, is an old man who is always on standby to recite bravery poems ‘icyivugo’ as part of welcoming visitors of the village.

    There are also more old men with spears and shields (ingabo) depicting how security was protected in the past.

    On the next traditional building , you find an old man with various traditional medicaments used in the past to treat diseases. His building is surrounded by a garden of planted seeds of herbs from which traditional medicine are extracted all of which are shown to visitors.

    On the central part of the ‘Iby’iwacu Cultural Village’ is a king’s palace where tourists enter and receive explanations on components that made the king’s building.

    At the entrance of the palace is an old man sitting on the traditional stool performing Inanga, a traditional musical instrument which he does on daily basis as it would happen while entertaining the King.

    Apart from the exhibitions, the cultural village has traditional songs and dancers along with other people gathering for traditional ceremonies and performances including drummers and people reciting pastoral poems in recognition of cow’s value and bravery reflecting how the King was entertained.

    They also hold ceremonies demonstrating weddings in the past where a bride would be carried on a traditional stretcher carried over the shoulders of strong men to the groom ‘ingobyi’.

    ‘ Iby’iwacu Cultural Village’ was built in 2006. It was mainly created to employ former poachers and their families to have transformed livelihoods through depiction of Rwanda’s culture.

    Havugimana Jean Bosco, the chief guide at the village explained to IGIHE that the village was aimed at helping former poachers participate in forest protection and improve household livelihoods.

    He explained that a dancer can earn Rwf 40,000 while drummers and old men reciting poems of bravery among others can earn Rwf 30,000 per month.

    The village was initiated by Sabuhoro Edwin a private investor who was already working with tourists.

    Employed former poachers and families grateful

    Mukandayisenga Drocelle, is among employees at ‘Iby’iwacu Cultural Village’ from Nyabigoma cell of Kinigi sector. As a daughter of former poacher, she attests that the village brought so many positive transformations in their lives because they can easily find Mituelle de santé and school fees for children.

    Ntibanyendera Martin, an old man from Rukingo village, Murago cell, Gataraga sector of Musanze district has told IGIHE that earnings from the village enabled him to pay school fees for his child who has now completed secondary school.

    Hategekimana Eric, a young man from Kinigi who was a cow attests to have built a house worth Rwf 900,000 with earnings from ‘Iby’iwacu Cultural Village’.

    dsc_0050.jpgdsc_0096.jpgThe troop and drummers perform cultural songs at Iby'Iwacu Cultural Village.dsc_0031.jpgA traditional healer in the garden surrounding his exhibition house where traditional medicine are extracted.One of traditional lodges at Iby'Iwacu Cultural Village.Tourists visiting the King's palace.At the entrance of the palace is an old man sitting on the traditional stool performing Inanga (a traditional musical instrument).At the entrance of the palace is an old man sitting on the traditional stool performing Inanga (a traditional musical instrument).dsc_0115.jpgdsc_0111.jpgIby'Iwacu Cultural Village hosts ceremonies demonstrating weddings in the past where a bride would be carried on a traditional stretcher carried over the shoulders.Some of displayed tools used to drink local banana brew.The entrance of Iby'Iwacu Cultural Village.dsc_0097-2.jpgNtibanyendera Martin, an old man from Rukingo village beneficiary of Iby'iwacu Cultural Village.Mukandayisenga Drocelle,a daughter of former poacher employed at Iby'Iwacu Cultural Village.isekuru_basekuriramo_imiti.jpgA granary reflecting Rwandans culture of storing harvested food.Havugimana Jean Bosco, the chief guide at Iby'Iwacu Cultural Village.A traditional healer , Ntawuhamwarumwe Daniel stands in his exhibition house of traditional medicine.dsc_0091.jpgThe entrance of the King's palace.One of traditional lodges at Iby'Iwacu Cultural Village.

    All photos: Théophile Niyitegeka

  • Revellers gather early for New Year’s Eve celebrations

    Revellers gather early for New Year’s Eve celebrations

    Huge crowds gather for New Year’s Eve celebrations as famed Sydney Harbour Bridge is set to explode in colour.

    Thousands of revellers gathered at first light along Sydney’s harbour foreshore in advance of the city’s New Year’s Eve fireworks, while countries across the Asia Pacific region are planning some very different celebrations for the start of 2017.

    The most sought-after vistas from peninsulas around Sydney’s iconic Opera House are now ticketed, and hundreds slept out in queues overnight to get the best spots when gates opened on Saturday morning.

    In other areas around the harbour, people started setting up tents on Friday, before dawn.

    Around one and a half million people are expected to pack the Australian city’s harbour area to see 7m Australian dollars ($5m) worth of fireworks go up in smoke at midnight (13:00 GMT on Saturday).

    Organisers are promising the biggest show ever with more than 100,000 fireworks being set off.

    In New Zealand, one of the first countries to bring in the New Year, Max Key, the son of the former prime minister John Key will DJ as five minutes of fireworks go up from Auckland’s Sky Tower.

    The Pacific country’s capital, Wellington, will also put on fireworks and music at an inner-city lagoon.

    In Thailand, fireworks have been banned from New Year’s celebrations after the government decreed a one-year mourning period for the late King Bhumibol Adulyadej, who died in October aged 88.

    But as the year ticks over, hundreds of thousands of people are expected to jointly sing a New Year song composed by Bhumibol himself, followed by the royal anthem.

    In Sydney, police have assured the public there are no known threats to the festivities, but for the first time, buses will be used to block roads leading to the pedestrian zones to prevent truck attacks, such as those in Berlin and Nice.

    Up to a billion people are expected to tune in to the city’s celebrations around the world, with the fireworks set to be streamed live via Facebook and YouTube for the first time ever.

    Early arrivals claim prime positions to watch fireworks in front of the Sydney Opera House

  • Debbie Reynolds, Singin’ in the Rain star, dies at 84

    Hollywood star passes away a day after the death of her daughter, Carrie Fisher.

    Debbie Reynolds, the star of the 1952 classic Singin’ in the Rain, has died at the age of 84, one day after after the death of her daughter Carrie Fisher.

    Reynolds suffered a stroke at her son Todd Fisher’s Beverly Hills home late on Wednesday after telling him “I miss her so much, I want to be with Carrie,” he was quoted as telling celebrity news website TMZ.

    Fisher, who catapulted to worldwide stardom as rebel warrior Princess Leia in the original Star Wars trilogy, died in Los Angeles on Tuesday, four days after suffering a heart attack on a transatlantic flight.

    Media reports said Reynolds had been at her son’s house to discuss funeral arrangements when she became ill.

    Social media was soon awash with messages of sympathy, dismay and support as fans and fellow celebrities struggled to come to terms with another devastating blow so soon after Fisher’s death.

    Screen Actors Guild president Gabrielle Carteris said in a statement: “We have lost a unique talent and a national treasure. Coming so close to the death of her daughter, Carrie Fisher, this is truly a double tragedy”.

    “Their imprint on our culture is profound, and they both will live on.”

    Reynolds made a name for herself in a string of hit musicals in the 1950s after being discovered by MGM studio bosses at a beauty contest in southern California.

    But she is best remembered as the sweet but shy voice artist Kathy Selden in Singin’ in the Rain and being cast opposite tap-dancing superstar Gene Kelly, who was more than twice her age.

    Off-screen, she was known as the wronged party in one of Hollywood’s most notorious scandals, when her husband, singer Eddie Fisher, left her for her friend and fellow screen icon Elizabeth Taylor.

    However the two women remained close until Taylor’s death in 2011.

    She is survived by her son, Todd Fisher, an actor and producer.

    The Hollywood legend is best known for her role in the 1952 classic Singin' in the Rain

  • Trans Poesis lifting Rwanda’s poetry to the skies

    Organizers of competitions for talented poets, Trans Poesis, have unveiled a plan of supporting the advancement of Rwanda’s poetry, taking it to a higher level.

    Tuyisenge Olivier, one of organizers of the competition said that they were motivated to do so after realizing how poetry in Rwanda is fading over time while the few existing poets never progress yet poetry is part of Rwanda’s rich heritage.

    “Poetry and other artistic expressions are most of the time needed to entertain and teach. We have developed the idea so that people with such a talent may progress and get their talent valued to the extent that a person can listen to poetry as he/she do to music ,” he said.

    Tuyisenge explained that they will award three talented poets among 12 contestants.

    He said that they have been carrying out mobilization to encourage people to participate in the competition.The organizers have selected 12 among 49 contenders who will participate in the finals.The three poets will be awarded on 29th October 2016 at Café Neo in Kiyovu at 6:00 pm.

    Tuyisenge has called on people with talent in poetry to use it as it holds a significant position in Rwanda’s culture.

    Poetry in Rwanda was popularized by Queen Nyiraruganzu Nyirarumaga who lived during the reign of King Ruganzu Ndoli around 1510.

    In the past, Rwanda’s poets were considered great people and philosophers, and custodians of kingdom secrets.

    Trans Poesis is a group of three people including Tuyisenge Olivier, Kayitare Mustafa and Dr. Andrea Grieder from Switzerland who have committed to promote poetry in Rwanda.

    kvp_5_kinyarwanda_web.jpg

  • David Adjaye on designing the African American museum

    Architect David Adjaye explains his inspiration behind the new National Museum of African American History and Culture.

    “A monument to understanding the African American experience.”

    That’s how David Adjaye, the award-winning British-Ghanaian architect, describes a new museum he designed paying tribute to African American history and culture.

    The National Museum of African American History and Culture will be inaugurated in Washington DC on Saturday by Barack Obama, the first black president of the US.

    “It speaks to the testament and the need for institutions to remind us of our history, and reminds us about the contributions of others to the notion of who belongs and who doesn’t,” Adjaye told Al Jazeera.

    “It’s a great thing that America is able to make a museum on its front lawn to make sure that conversation is never lost.”

    Housed along the iconic National Mall and less than 10 minutes away from the White House, the bronze-coloured building is located in the very place where African slaves were once auctioned off.

    Exhibits at the museum will include whips used to punish slaves, shackles, a slave cabin, Ku-Klux-Klan robes and an auction block that tells the story of babies taken from their mothers.

    Find out more about the new museum and its impressive design by watching the video above.