For the Ugandan filmmaker, her first visit to Mashariki was more than a chance to conceptualize her dream. It was a homecoming to the creative community that inspired her to push boundaries and embrace regional collaboration in her storytelling.
“Mashariki opened my eyes to the potential of regional cinema. The films I saw and the people I met encouraged me to think beyond borders and tell stories that resonate across East Africa,” Nankabirwa recalls.
Her newest film, “The Head” is a poignant exploration of the shifting dynamics in East African families.
Tackling the consequences of absent fathers and the evolving roles of women in traditional households.
The film delves into the struggles faced by single mothers and the societal ripple effects of fathers abandoning their roles.
“The title “The Head” symbolizes the role of the father as the head of the family. I wanted to highlight how the absence of fathers disrupts families and impacts society as a whole,” she explained.
Nankabirwa’s filmmaking journey began in Uganda, where she initially trained as a teacher. Over time, her passion for storytelling took precedence, leading her to produce films addressing social issues, children’s rights, and cultural dynamics. “My goal has always been to create films that educate as much as they entertain,” she said.
This vision materialized when she filmed in both Uganda and Rwanda. Featuring actors from both countries and dialogues in English, Kinyarwanda, and Luganda, the film embodies the spirit of East African unity.
“We have so much in common culturally and socially, and I wanted this film to reflect that,” she said. “It’s not just a Ugandan story; it’s an East African story.”
Collaboration was at the heart of the project. She worked closely with Rwandan actors, navigating cultural nuances and building a shared understanding. “It was a learning experience for all of us,” she said. “By blending Ugandan and Rwandan talent, we created something truly unique.”
Despite logistical and financial challenges, including funding constraints and equipment failures, Jennifer remained undeterred. The support of the local Rwandan community proved invaluable during a critical moment of production.
She vividly remembers a scenario when her team’s cameras failed, local people photographers lent them their own equipment, trusting hem to pay later. “It’s something I’ll never forget—a true testament to the generosity and spirit of the Rwandan people,” she recounted.
Leonel Kayitare, the festival coordinator, reflected on the broader impact of Mashariki on filmmakers like Nankabirwa. “The Mashariki Africa Film Festival has always aimed to inspire and connect creatives across the region. We’re thrilled to see filmmakers embracing the festival’s spirit of collaboration and using their platforms to address important societal issues.”
The festival’s growth is evident as the increased audience and enthusiasm grows over the years. It is becoming a hub for African filmmakers to connect, learn, and collaborate. It gives the opportunity to not just showcase individual work, but to inspire one another.
Looking ahead, Nankabirwa envisions a future where cross-border collaborations become the norm in East African cinema. “There are so many untold stories in our region. If we continue to work together, we can create films that not only entertain but also educate and inspire change.”
